Summit of the manga mega-minds

This edition of Otaku Ohana is brought to you by two pens, an apple and a pineapple.

Because if I have to write this post about all the otaku activities going on at the Honolulu Museum of Art this month while I’m thinking about how there’s an pen, and there’s an apple, and UNH, now there’s an APPLE PEN, then I’m sure as heck going to have you, dear reader, stuck with that thought, too.

(It could’ve been worse. The Otaku Ohana Anonymous Director of Forced Social Interaction left me with the earworm of Pentatonix’s “Perfume Medley” during all of HawaiiCon a few weeks ago. You try walking anywhere having “Spending all, spending, spending all my time / Loving you, loving you foreeeever” lodged in your, lodged in your brain foreeeever.)

Even the exhibit entrance sign looks pretty. Photo by Jason S. Yadao.
Even the exhibit entrance sign looks pretty. Photo by Jason S. Yadao.

But I digress. There’s a lot going on at the art museum, and much of it is tied in with a major manga exhibit: “Visions of Gothic Angels: Japanese Manga by Takaya Miou.” The exhibit, ongoing through Jan. 15, is curated by Stephen Salel, the man who also assembled “Modern Love: 20th-Century Japanese Erotic Art,” the 2014-15 exhibit that brought manga artists Erica Sakurazawa and Moyoco Anno to Honolulu. From the exhibit description:

Takaya’s artwork explores themes of femininity and female identity through fantastic imagery originating from a wide variety of artistic traditions: Italian Renaissance portraits of Christian martyrs, the intricate Art Nouveau style of British illustrator Aubrey Beardsley (1872–1898), the surreal puppets of German sculptor Hans Bellmer (1902–1975), and the whimsical street fashion of Harajuku district in Tokyo.

In addition to an overview of the artist’s 25-year career, Visions of Gothic Angels: Japanese Manga by Takaya Miou focuses upon two anthologies, The Madness of Heaven (Tengoku kyō, 2001) and Map of Sacred Pain (Seishō-zu, 2001). Illustrations and short stories from these publications will be presented in a variety of formats: original drawings, printed books (tankobon), large-scale wall graphics, and digital works that visitors can read from cover to cover on iPads installed in the gallery.

Here are a few shots I took at the opening night reception in August that give you an impression of how it all looks.

Here's the entrance to the exhibit. On the near wall, you can see some of Takaya's art; the far wall contains several of her manga pages. Photo by Jason S. Yadao.
Here’s the entrance to the exhibit. On the near wall, you can see some of Takaya’s art; the far wall contains several of her manga pages. Photo by Jason S. Yadao.
An entire wall is devoted to displaying doujinshi Takaya has published over the years. Photo by Jason S. Yadao.
An entire wall is devoted to displaying doujinshi Takaya has published over the years. Photo by Jason S. Yadao.
"After a Poem by Tsukamoto Kunio" (1998) is one of Takaya's works on display. Photo by Jason S. Yadao.
“After a Poem by Tsukamoto Kunio” (1998) is one of Takaya’s works on display. Photo by Jason S. Yadao.

While Takaya won’t be appearing at the museum during the exhibit’s run — I understand she’s quite reclusive — there are those aforementioned events that the museum’s hosting. I was too busy to mention anything about last Saturday’s screening of Miss Hokusai, but here are some pictures an attendee, who wished to be identified as “fuzZz 😸,” passed along to me.

Artists hard at work at a reception held before the screening of "Miss Hokusai" Oct. 1. From left are Jon Murakami (with FIGHTING SPIRIT HEADBAND~!), Michael Cannon, Kaci Horimoto and Tara Tamayori.
Artists hard at work at a reception held before the screening of “Miss Hokusai” Oct. 1. From left are Jon Murakami (with FIGHTING SPIRIT HEADBAND~!), Michael Cannon, Kaci Horimoto and Tara Tamayori.
A fan drawn by Kaci Horimoto. It sold at silent auction for $50. (A certain blogger dork may have bid on it via proxy and won it.)
A fan drawn by Kaci Horimoto. It sold at silent auction for $50. (A certain blogger dork may have bid on it via proxy and won it.)
One of the fans drawn by Michael Cannon.
One of the fans drawn by Michael Cannon.

From 4 to 5:30 p.m. Friday at the Doris Duke Theatre, there’s going to be a roundtable discussion, “Manga in Japan, Hawai‘i, and Throughout the World,” featuring artists Brady Evans, Audra Furuichi and Jamie Lynn Lano; Kawaii Kon senior administrator Roy “Buma” Bann, and some friendly neighborhood anime/manga/comic blogger dork who may be revealing some big news about the future of Otaku Ohana during his portion of the discussion. (It’s pretty exciting!) Come get a quick primer on the industry, learn about where we draw our inspirations from, and hear why 60% of the panel adores homespun slice-of-life comedies.

Another lecture at 4 p.m. Oct. 28 will feature Bento Box artist, former manga.about.com curator and all-around U.S. manga community sempai Deb Aoki. In her talk, “Making a Living in Manga: Bento Box and Beyond,” she’ll discuss her artistic career, how she got interested in manga and the struggles of contemporary manga creators. Both her talk and our panel discussion are free. so swing by, enrich your manga fandom a bit and avoid a good chunk of what’s bound to be horrible afternoon rush-hour traffic.

Last but certainly not least, there’s the ongoing Japanese Cinema spotlight, which I’ve talked about in this space before (along with several other movies that are coming up in the next few weeks!). As a reminder, here are the remaining anime on the schedule, featuring a tribute to late director Satoshi Kon:

>> Tekkonkinkreet, 1 and 7:30 p.m. today

>> Millennium Actress, 1 p.m. Sunday, Oct. 23, and 1 and 7:30 p.m. Thursday, Oct. 27

>> Paprika, 7: 30 p.m. Sunday, Oct. 23, and 1 and 7:30 p.m. Tuesday, Oct. 25

>> Tokyo Godfathers, 4 p.m. Sunday, Oct. 23, and 1 and 7:30 p.m. Wednesday, Oct. 26

Tickets are $10 general admission, $8 museum members.

The art museum and theater are located at 900 S. Beretania St.; admission to the museum is $10, with free admission every first Wednesday and third Sunday of every month. For more information, visit honolulumuseum.org.

4 thoughts on “Summit of the manga mega-minds”

  1. I really wanted to hear some of “Glitter” in the “Perfume Medley” but didn’t. ;-(

    Also, the “description” part of the videodidn’t list the songs featured. It was full of useless crap AFAIAC. DoublyDissappointed.

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