It’s been said that a picture’s worth a thousand words. Many of our Otaku Ohana posts weigh in around a thousand words.
With that in mind, here’s today’s post: short on actual words, crammed full of picture-words. It’s a shot I took at today’s Fundraiser for TJ, which I talked about in my last post.
That’s TJ Fernandez with members of the Pacific Outpost of the 501st Legion. Now, I didn’t get a chance to talk to him. Felt too shy about doing that. But I’d like to think that having members of the 501st, as well as the other cosplayers at the event, stop by to say hi helped brighten his day a bit.
And that’s what our fandom should be about: finding the little things that make us happy. Enjoying them. And enjoying life.
Whenever an event pops up for anime/manga fans, it doesn’t spring forth fully formed overnight. It takes a number of people — staff members, volunteers, vendors, individuals/groups within the fan community — to make something happen. Sometimes, one has the luxury of having many months to prepare for an event. Other times, one has to turn around an event in a matter of days.
This is a post about the latter kind of event. Last Friday, Kawaii Kon senior administrator Roy Bann sent along word to several groups that there was going to be a fundraiser to help a terminally ill anime fan, Tristan “TJ” Fernandez. The date for the event: this Saturday.
In October 2014, after a checkup with his pediatrician, TJ was rushed to Kapiolani Hospital for Children to undergo an immediate CAT scan. Results showed he had a mass at the base of his brain. The next day, he had an MRI done. Tears flowed as it showed the mass was on his brain stem. The word “inoperable” repeated over and over. No biopsy possible, no removing, no stopping, only slowing it down. TJ went through 30 days of radiation and 10 chemotherapy sessions thereafter. Even after suffering many seizures, a tracheostomy, and enduring countless check ups, he is still braving the pain and continuing to fight.
TJ’s only wish was to go home to his room. His parents were finally allowed to do so but along with taking their son home, they also needed to take home all the machines he needs to stabilize his body. They now have the worry of not only their son’s health but, the hospital bills, a home care nurse, and all the machines needed for him to remain home.
TJ loves anime; his favorite shows include Terra Formars, Naruto and Bleach. Hospice Hawaii approached Kawaii Kon officials with the idea of hosting event similar to the con’s annual Windward Mall Anime Day as a way of raising funds for the family, and the deal was sealed rather quickly.
So here we are: The Fundraiser for TJ Fernandez, an impromptu mini-con on the road to Kawaii Kon in about a month, is happening from 11 a.m. to 4 p.m. Saturday at the Pearl City High School Cafeteria. Games, entertainment (including music, a dance troupe and taiko drummers), food and giveaways will be the fare for the day. There’s also going to be a silent auction, and artists from Comic Jam Hawaii will be there with drawing activities. Cosplayers, as always, are welcome (family-friendly attire, please); there’s a group photo shoot scheduled for 1 p.m.
The school is located at 2100 Hookiekie St. in upper Pearl City; here is a handy campus map I took from the PCHS website, to which I added a few annotations. (Click through for a larger version of the map.)
I’ll probably stop by for a bit; hope to see at least some of you whom I know there. Can’t make it? Please consider donating a few dollars to the GiveForward donation drive, which hit its $10,000 goal earlier today but could always use some extra love. Visit www.giveforward.com/fundraiser/5xk7.
One of the first things the powers that be in journalism school tell students is that every story you write should have a compelling first few paragraphs, or lead grafs, that draws readers in to a story. This edition of the Ota-cool Incoming! calendar, quite frankly, doesn’t have that compelling lead, because there are only so many different ways one can say, “Wow! It’s been really busy here at Otaku Ohana Central! I haven’t been able to write as much as I’d like! Oh noes!” before you, dear reader, start thinking, “Yeah, yeah, whatever, blogger boy, enough gabbing about yourself, get to the news already.”
So … umm … guests! Coming to various local events! There were a few announcements made in recent weeks, and here they are!
Best known for: Being a dream guest for old-school anime fans. Consider his resume: Tuxedo Mask in the original Sailor Moon. Amuro Ray in the Gundam franchise. Pegasus Seiya in Saint Seiya. Yamcha in Dragon Ball Z. Kyosuke Kasuga in Kimagure Orange Road. That’s an impressive body of work if you loved anime in the ’80s and ’90s.
Appearing at: Kawaii Kon, March 27-29. Three-day passes are available online for $53 ($44 children ages 5-12) through March 14 at www.showclix.com/event/3817763/listing. And if you have some extra piles of cash around the house, I’d still like some there’s still a VIP Package for one person ($750) and a VIP Package for two people ($900) available. As far as hotel rooms are concerned, the cheapest room rate at the Ala Moana Hotel, the $135/night Kona Tower rooms, are already sold out for Friday and Saturday night, so you may want to get on that ASAP as well.
Best known for: If you’ve ever watched Last Exile; its sequel, Last Exile: Fam, the SilverWing; and/or Blue Submarine No. 6, you’ve seen this artist’s work. You’ve also seen his work if you were among the three or four people who bought the Robot series of art books, first from Digital Manga Publishing (DMP), then from Udon, then not at all, since the U.S. release was canceled after the fifth volume out of 10, ostensibly due to low sales. His Like a Balance Life art book is available digitally for $6.99 on the iTunes App Store.
Best known for: He’s the voice of Kiba in Naruto, Kamina in Gurren Lagann, the older version of Gohan and the narrator in Dragon Ball Z and Ryu in the newer Street Fighter games. He was also supposed to be the guest of honor at last summer’s Taku Taku Matsuri before a pair of approaching hurricanes ended up postponing it. And, of course, he’s the subject of an interview I did with him aaaaaaaallllll the way back in August that I still haven’t gotten around to transcribing. (I blame regular work duties, both Candy Crush games and the Ingress Resistance.)
Appearing at: The newly announced Otaku Summer Festival, 9 a.m.-4:30 p.m. Sunday, Aug. 23, at Hawaii Kotohira Jinsha-Hawaii Dazaifu Tenmangu, 1239 Olomea St. The festival will also include the return of the AniMaid Cafe, entertainment, carnival games, food and … perhaps … more? Stay tuned. In any case, admission will be free.
Aiea Library Polar Bear Cafe and Friends Anime Club: I’ve joked with young adult librarian Diane Masaki that she ought to change the name of the Anime Club to the Polar Bear Cafe and Friends Club, seeing as how the screening schedule for the past few months has consistently been two episodes of the 2012-2013 anime followed by two more episodes of “something action-y,” as she puts it. At the library, 99-374 Pohai Place. Have I ever mentioned that there’s plenty of parking now? Because there is. For more information or to RSVP, call 483-7333 or email email@example.com. 3 p.m. Saturday.
Kawaii Kon volunteer staff general meeting: If you were interested in working as a staff member at this year’s convention, this is your last chance to fulfill your required meeting quota. First-timers, don’t forget to bring $30 cash (or $50 if this is going to be your first and only general meeting) to pay for your badge, refunded once you’re reached your hours-worked requirement. Kakaako Waterfront Park, 11 a.m. Saturday. Details on volunteer requirements (as well as the necessary forms) are available at kawaiikon.com/information/staff/faq/.
The Last: Naruto the Movie: The moon is getting closer to the Earth, meteorites threaten to rain down on the planet, and Hinata’s younger sister, Hanabi, has been kidnapped. Can Naruto and the gang save everything in time? I certainly hope so. At Consolidated’s Ward Stadium 16 complex, noon Saturday and 7 p.m. Monday; both screenings will be in Japanese with English subtitles. You’ll also be able to nab a free commemorative poster while supplies last. Tickets are $15 each; here’s Saturday’s screening, and here’s Monday’s screening.
Anime Swap Meet: Hosted by Kawaii Kon, this opportunity for local otaku to buy and sell assorted preowned collectibles from one another will be part of the 25th Annual Hawaii Collectors Expo at the Blaisdell Exhibition Hall from 9 a.m. to 4 p.m. Saturday and 10 a.m. to 4 p.m. Sunday. Interested in buying? Admission is $5 or free to those with valid military ID … or, as Courtney Kubanek at Kawaii Kon noted in the comments on my last post, cosplayers can also get in free.
Moyoco Anno at the Honolulu Museum of Art: The artist behind works including Flowers & Bees (Viz), Happy Mania (Tokyopop), Sugar Sugar Rune (Del Rey), Sakuran, In Clothes Called Fat and Insufficient Direction (all from Vertical Comics), and Memoirs of Amorous Gentlemen, Buffalo 5 Girls and The Diary of Ochibi (available digitally from Crunchyroll Manga) will be appearing at the Honolulu Museum of Art from 10:30 a.m. to 2 p.m. Sunday for a talk (starting at 10:45 a.m. in the Doris Duke Theater) and art demonstration (starting at 1 p.m. down the street at the Honolulu Museum of Art School, room 200). Her appearance is in conjunction with the museum’s “Modern Love: 20th-Century Japanese Erotic Art” exhibit, on display through March 15, which, God willing, I’ll have some kind of post about later this week.
MangaBento: This group of anime- and manga-inspired artists usually meets every second and fourth Sunday of the month at the Honolulu Museum of Art School. Next meeting is from 1 to 4 p.m. Sunday in room 203;note that the first hour of the meeting will overlap with the Anno art demonstration (which members are encouraged to attend). Visit www.manga-bento.com.
Random Ingress Portal of the Post: Speaking of anime-inspired art, meet “The Anime,” a portal that caught my eye when I was walking around the neighborhood surrounding Punahou School during Carnival weekend. Judging by its position on the in-game map, it’s a piece of art hanging somewhere in the halls of the Kapiolani Medical Center for Women and Children; where exactly it is, I have no idea, seeing as how the last time I was at Kapiolani was when I was way too young to remember anything about my time there. The portal is reachable from Bingham Street, though, so swing by and pick up a key sometime. And keep it green, of course.
Kawaii Kon Karaoke Competition preliminary rounds: So you think you can sing, and you’re planning to go to Kawaii Kon this year? Give the annual Karaoke Competition a try. There’s one more preliminary round on March 15 at Nocturna Lounge, the video game/karaoke bar just downstairs from our editorial/advertising offices here at Waterfront Plaza/Restaurant Row. Sign-in for that starts at 3:30 p.m., with singing starting at 4 p.m. Full details on what you need to do to prepare are available at bit.ly/Karaoke_Prelims.
Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; locations within the mall may vary. Visit www.facebook.com/groups/ComicJamHawaii(Facebook login required). Next meeting: 1 to 4 p.m. Sunday, March 1.
Happy Valentine’s Day, Singles Awareness Day or Cheap Candy Eve, whichever you prefer! As usual, I’m running behind on posting things here (plus I’m meeting with the Otaku Ohana Anonymous Director of Forced Social Relations in a few minutes), so here’s a quick Ota-cool Incoming! calendar covering some events that are coming up over the next few days…
Kawaii Kon Karaoke Competition preliminary rounds: So you think you can sing, and you’re planning to go to Kawaii Kon this year? Give the annual Karaoke Competition a try, then. This month’s preliminary round will be held at its traditional location, Orvis Auditorium on the University of Hawaii at Manoa campus, on Sunday; sign-in starts at 10 a.m., and the tryouts run from 10:30 a.m. through 1 p.m. Don’t forget to bring your karaoke track on a CD. Can’t make it? There’s one more tryout on March 15 at Nocturna Lounge, the video game/karaoke bar just downstairs from our editorial/advertising offices here at Waterfront Plaza/Restaurant Row. Sign-in for that starts at 3:30 p.m., with singing starting at 4 p.m. Full details on what you need to do to prepare are available at bit.ly/Karaoke_Prelims.
Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; locations within the mall may vary. Visit www.facebook.com/groups/ComicJamHawaii(Facebook login required). Next meeting: 1 to 4 p.m. Sunday.
Anime Swap Meet: Hosted by Kawaii Kon, this opportunity for local otaku to buy and sell assorted preowned collectibles from one another will be part of the 25th Annual Hawaii Collectors Expo from 9 a.m. to 4 p.m. Saturday, Feb. 21 and 10 a.m. to 4 p.m. Sunday, Feb. 22. Interested in selling? Check out kawaiikon.com/anime-swap-meetfor all the details; registration deadline is midnight Wednesday. This year, the rules are a bit more liberal: $20 will get you a 5-square-foot space for both Saturday and Sunday, and you can share your space with one other person. Interested in buying? Admission is $5 or free to those with valid military ID.
Hi everyone, Jason here. Tag-team partner in fandom Wilma J. and I both attended “Legend of Zelda: Symphony of the Goddesses” at the Blaisdell Concert Hall Friday night, and we each had our own takeaways from the show. Most of the music commentary will be handled by Wilma, while the extracurriculars will be handled by me (written in chunks of italic type).
Video game fans in Hawaii, particularly fans of the Legend of Zelda series, were treated Friday night to the Symphony of the Goddesses — the first large-scale, multimedia game concert held in the isles. Joining forces with Jason Michael Paul Productions, who has produced other video game concerts in the U.S. such as “Dear Friends: Music from Final Fantasy” and its subsequent “More Friends” concert, were the Hawaii Symphony Orchestra and the Oahu Choral Society.
Cosplaying was encouraged at the concert, and quite a few people took advantage of that, although it was mostly different versions of the game series’s main characters, Link and Zelda. There was also a Groose from Skyward Sword running around, as well as a Ravio from A Link Between Worlds, among the few exceptions. Navi the fairy from the Ocarina of Time also made an appearance, holding a speech bubble with her well-known phrase, “Hey! Listen!”
Several people wore the title mask from the game Majora’s Mask. Many others simply wore Zelda-related shirts — dozens roamed around with tops emblazoned with the game’s logo, the all-important Triforce, the equally important heart meter, the iconic 8-bit sword from the original game for the Nintendo Entertainment System, and much more. It was great to see such a wide array on display.
For me, that diversity came in stark contrast to the official merchandise table — one T-shirt design, an official concert poster, a book of Zelda series sheet music and copies of the Hyrule Historia art book and Link Between Worlds for the Nintendo 3DS were all that were being offered. All of those seemed to be selling well — heck, the books sold out — but still, c’mon, people, we want to throw MORE money at you. Give us some CDs or a nice glossy program or something. Please?
Before the concert began, a slideshow was projected on a large screen above the orchestra, showing trivia questions on the various Zelda games interspersed with various scenic shots. There weren’t many questions; the entire thing scrolled by in about five minutes or so before repeating. We took our seats about 10 minutes before the concert was scheduled to begin and saw the trivia go through maybe 1.5 cycles.
When the lights dimmed and conductor Amy Andersson took her place in front of the orchestra, someone — I don’t know if this was official or not, but my guess is not, considering the surprised reactions on some of the symphony members’ faces — started off the evening by yelling out the phrase that has become a hallmark and one of the running jokes of the series: “Hey! Listen!”
I don’t think it was, either. Which brings me to my “I guess I’m one of those crotchety old people now, because I’m about to go off on young people these days” rant: There were quite a few people who treated the show like one of the side events of an anime convention rather than something with the gravitas of a symphony orchestra concert.
Now, granted, I’ve seen this sort of thing happen before — Wilma and I attended the “Dear Friends” concert in Los Angeles in 2004 — so I was willing to concede that, yes, not everyone’s going to dress up in their nicest attire. A good chunk of the audience probably hasn’t seen the symphony perform since elementary school field trip days. But still, that comment, the random CHEE-HOOOOOOting here and there, the whispered snark by the people in balcony row L, around the high 20-low 30s seats — yes, I’m specifically calling you guys out, particularly the guy who was whispering something about Harvest Moon at the beginning of the “Great Fairy’s Fountain” intermezzo — ugh. Just because you paid $48 and up doesn’t give you the right to turn it into a personal Mystery Science Theater 3000-esque snarkfest and dampen the experience for those around you who came to listen to and appreciate the music.
And don’t even get me started on some of the people I noticed in front of me secretly recording parts of the concert on their phones …
(I must say that thankfully, the concertgoers in my area quietly enjoyed the show, clapping and hooting only when appropriate.)
The symphony began with an overture encompassing a medley of tunes from the Zelda series, choreographed to video shown on the screen that was made up of gameplay clips starting with the beloved original Legend of Zelda for the Nintendo Entertainment System and going all the way through to A Link Between Worlds for the Nintendo 3DS.
Afterward, Remy Zane, a DJ with KORL 97.1 (and who, incidentally, is also one of our friends!), came out onstage to welcome the audience and give a short explanation of what we would be hearing. There were audible laughs and groans at the mention of Tingle (another inside joke; if you play Ocarina of Time you’ll understand). Remy came out on stage at various points during the concert to briefly introduce the pieces.
The first interlude was a rendition of the Gerudo Valley theme from Ocarina of Time. That theme is one of my favorite songs in the entire series, and this version gave much more energy to the original Spanish-inspired, softly passionate tune, especially when the camera trained on first violinist and symphony concertmaster Ignace Jang, who played with such intensity that you couldn’t help but get fired up. (A roving camera occasionally broadcast stage happenings on the screen, including various orchestra members, the chorus, the conductor, and Remy’s short spiels.)
In contrast, the next interlude — a medley of various boss battle themes — was mediocre. Boss themes are usually heart-pounding pieces of music, and with good reason, but the arrangement of these tunes was uninspired and didn’t really match the excitement of the onscreen video.
Throughout the concert, stage lighting added another level of emotion to the music and videos, more subtle than not, except when the lighting turned a fiery red to match, for example, the lava-based stage of the giant dinosaur boss King Dodongo from Ocarina of Time. Another more-subtle-than-not addition was the Oahu Choral Society. I’ve watched two video game concerts now and I’ve always felt a little sorry for the choral performers. Their singing was complementary rather than in the forefront, and I’m sure it was always meant to be that way. The chorus was also pretty hidden all the way back in the stage (people in the back rows probably had a better view of the chorus; we were sitting much nearer to the stage and could just barely see the tops of their heads), and if the camera hadn’t shown them on screen from time to time, you probably would not have realized that they were adding their voices to the instruments. I would love to know what exactly they WERE singing, as none of the Zelda music has lyrics.
I was up in the balcony, and yes, I could see the chorus. There were some points when their involvement was a bit more subtle than others, and the only way I could tell they were singing then was when I could see them raising their songbooks and turning the pages. It was a nice addition, although I’ve often wondered what they think whenever they’re called upon to sing selections from various video game soundtracks: “‘Something something something something SEPHIROTH?’ What did I get myself INTO here?”
The next two interludes were pretty straightforward though still eminently enjoyable suites of music from Majora’s Mask and A Link Between Worlds. Then came a Prelude, telling the story of the creation of the land of Hyrule, which involves the three goddesses — Din, Nayru and Farore — alluded to in the concert’s title. The video for this segment was taken directly from the Ocarina of Time and I assume that the Prelude was simply an orchestration of the accompanying music in the game (it’s been a long time since I played the game and I can’t remember how the music went). Then came a couple of movements with tunes from Ocarina of Time and Wind Waker. Again, it was all very much straightforward, nothing outstanding, but solidly performed.
I would, however, take issue with Remy’s comment about Wind Waker, in which he said that it is one of Nintendo’s biggest hits in the series. I may be in a minority here, but I did not enjoy Wind Waker very much, and I thought I remember reading that it didn’t do too well. The art style was completely different from anything in the series up till that point, and while that did give me pause, the main thing I disliked about the game was the near-endless sailing you had to do to travel to other places. The long, monotonous expanses of water broke up the action and bored me half to death. Even when you later unlocked warp portals, they often weren’t close enough to the area you really wanted to go to, forcing you to do yet more sailing. Exploring was also tedious, and the controls of the ship were sometimes difficult to handle. But, well, hey; if it was a commercial success for Nintendo (enough that they decided to do an HD remake for the Wii U, even), then power to them, but all I know is that it’s not a game I’d rate very highly among the series.
For my part, I thought Wind Waker was OK. Better than Twilight Princess, for sure, which lost me on that cursed mandatory fishing minigame(Wii version) and Link’s transformation into a wolf, which seemingly lasted foreeeeeeeever and bored me to a point where I didn’t feel like waiting for him to be transformed back into a human (Gamecube version). And for the record, the Otaku Ohana Anonymous Director of Forced Social Interaction now likes Toon Link more than Standard Canon Link because “he looks cute.” So there’s that.
After a 15-minute intermission, we returned to an intermezzo of the soothing Great Fairy Fountain theme (minus the rather frightening, echoing cackles of the Great Fairy herself, thankfully) before moving on to a suite from Twilight Princess.
But as much as the video game world has gone forward in terms of graphics and sound, the theme of the night, really, was nostalgia. And the last movement — “Time of Falling Rain” from A Link to the Past — before the Finale showed this well. As Remy mentioned during one of his times onstage, “Falling Rain” is one of the most popular pieces from the series overall and the performance garnered a lot of applause. Heck, Link to the Past and its semi-sequel A Link Between Worlds are two of the series’ most beloved titles.
“Falling Rain,” like the rest of the performance, was accompanied by scenes from the game. But because this was a Super Nintendo game, that meant going back to the two-dimensional, sprite-based world of Hyrule. As Link to the Past is one of my favorite games in the series, I didn’t mind — and in fact I got a HUGE nostalgic kick out of it all, especially when the orchestra moved into the Dark World theme, a subtly menacing bit of music that gained some lightheartedness in this arrangement.
The orchestra, chorus, conductor and producer Jason Michael Paul — who came out on stage after the Finale — got standing ovations, naturally. And just as naturally, there was more to come after the Finale. First came new music and exclusive clips from Majora’s Mask 3D, a remake of the original Nintendo 64 game that’s due out in North America in mid-Februrary for the Nintendo 3DS. And lastly came a brief medley of Wind Waker music and scenes from its rerelease on the Wii U.
The concert overall was what I expected. My main big disappointment is that the original Zelda overworld theme didn’t get the singular performance that I felt it should have been given. It’s hands-down the most recognizable piece in the whole series, and while it was woven into other movements, I feel it should have gotten its own standalone orchestration.
Now, the main theme may very well have been covered in other seasons — apparently, the Symphony of the Goddesses has had different “seasons” with playlist changes; the one we heard at the Blaisdell was the “Master Quest season.” But if it has, then I wish it would be included as a staple bonus in all later seasons. I was waiting on pins and needles for that song, and it sadly never came.
Another disappointment is that more Zelda games from the handheld consoles weren’t represented. For example, Link’s Awakening, originally for the Game Boy, was an excellent addition to the series with a great storyline, interesting new gameplay elements and an exquisitely beautiful theme in “The Ballad of the Wind Fish,” and I would have loved to hear that song orchestrated. Granted, famed Zelda series composer Koji Kondo was not the composer for most of the handheld games and so I’m sure there were licensing or other rights issues, but there are still good pieces of music and if it were possible to incorporate more, I’d love to hear them.
Also a letdown was the fact that there were no printed programs. While I, like Jason mentioned above, would have immediately bought a commemorative glossy book, I was more disappointed that there was no regular concert program. Yes, most of the people attending were most likely fans of the series and already knew the games quite well, but many others weren’t, and a program giving a brief history of the series would’ve been nice. And Zelda-related stuff aside, EVERYONE would have benefited from having information on the producer, original composers, music arrangers, the conductor, the symphony orchestra, the chorus, the video editor, lighting director, stage staff, etc. The program is also often where production people often give thoughts or other behind-the-scenes looks at the music, etc. The lack of all that was an unfortunately lost opportunity.
But after all that, the positives still outweigh the negatives, and if another season of “Symphony of the Goddesses” came along with a different selection of music to perform, I’d still go see it.
I would, too. Hopefully the success of this show will encourage other touring symphonic suites to stop by here as well — Final Fantasy concert, anyone? Or perhaps “Video Games Live“? One can dream.
It really is an experience, especially if the concert is always being tweaked and improved. I appreciate any event that elevates and enhances what is often seen as a “juvenile” activity, and lots of kudos go out to everyone from the producers to the orchestra to the fans for making this happen. Here’s hoping this won’t be the last such concert that we see here.