14 for ’14: Otaku Ohana’s year of memories

It seems there’s an unwritten rule in journalism that whenever a writer or blogger reaches the end of a year, he or she suddenly feels compelled to look back on it and remember the high points and the lows. I’m certainly not one to go against the flow, so hi! Welcome to the Otaku Ohana Year in Review!

While I’d be the first to admit that this has been a disappointing year in terms of Otaku Ohana output — for starters, I still haven’t had time to fully transcribe that interview with voice actor Kyle Hebert that I promised back in August, and let’s not even think about the last time you’ve seen a formal anime or manga review in this space — it certainly hasn’t been a disappointing year for the otaku community at large. One measure of just how vibrant we’ve had it here is the sheer volume of anime features that screened in theaters. Here’s what we saw this year:

  • Anohana: The Flower We Saw That Day: The Movie
  • Dragon Ball Z: Battle of Gods
  • Expelled From Paradise
  • Evangelion 3.0: You Can (Not) Redo
  • K Missing Kings
  • Ghost in the Shell
  • Ghost in the Shell: Arise
  • Madoka Magica: Rebellion
  • My Neighbor Totoro
  • Patema Inverted
  • Road to Ninja: Naruto the Movie
  • The Tale of the Princess Kaguya
  • Tiger and Bunny: The Rising
  • The Wind Rises

Throw in a bunch of live-action movies including the Studio Ghibli documentary The Kingdom of Dreams and Madness, Thermae Romae II, Lupin the Third and Kikaider Reboot — the last of which proved so popular, the DVD’s backordered online.

Granted, there were a few bumps in the road along the way. A pair of hurricanes forced Taku Taku Matsuri to be pushed back from August to November. That’s more than can be said for Oni-Con Hawaii, which we can safely consider a lost cause with the lack of any solid communication since early May. And the death of Sharon Sakai, wife of Usagi Yojimbo artist Stan Sakai, was a story that resonated far beyond the usual readership of this blog.

But let’s remember all the good that happened in 2014. I went through my photo files and picked out 14 memorable moments from the year. Some of these pictures you might have seen before, whether in this space or on my various social media accounts.

Dorae-mania hits home (April 20)

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Fujiko F. Fujio’s mecha-cat creation was all over town this year, whether plastered on Lea Lea trolleys, in statue form at various sites from downtown to Kahala as part of HIS Hawaii’s Wakuwaku Stamp Rally, on Kindles and Kindle apps in manga form, or on Disney XD in anime form. The biggest attraction in the first few months of the year, however, was “Meet Doraemon: Japan’s Time-Traveling Cat,” an exhibition co-presented by Bishop Museum and the Fujiko F. Fujio Museum. Visitors could see pages of Fujio’s original artwork for the first time on American soil, watch a 10-minute anime short, read the English-translated Doraemon manga on iPads or the manga in other languages sitting on bookshelves nearby; and buy piles upon piles of Fujio character merchandise that also was appearing for the first time on American soil. Tripinator Doraemon looked a little shifty here in the foreground as visitors browsed through the manga at the iPad station.

Ultra-combo! (April 27)

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Not to be outdone by a cartoon mecha-cat, Ultraman and several of his longtime enemies made peace and came down to cavort around Hawaii as part of a promotion by Hawaii Tourism Japan and Tsuburaya Productions. Four statues showcasing different iterations of Ultraman were placed at locations around Oahu — Polynesian Cultural Center, Kualoa Ranch, DFS Galleria and the Hilo Hattie flagship store in Iwilei — and visitors who bought certain tour packages could go around, get their cards stamped and redeem them for cool Ultraman in Hawaii merchandise. As I mentioned in my original post, I love this picture of the Hilo Hattie statue because of the way the lights in the store flared behind it.

Panel de pon! (March 12)

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This is the only picture in this roundup that wasn’t shot by me (it was taken by cartoonist Roy Chang), and for good reason: I was kinda sitting on the panel at the time. I have to confess that I’m usually not one to be the center of attention — it’s the reason why I’ve never done a panel at any event on my own, and why I have an Anonymous Otaku Ohana Director of Forced Social Interaction with whom I attend a number of events these days — so when I was asked to be part of the “Made in Japan, Loved in Hawaii” panel at the Honolulu Festival, I was worried about how things would go. I needn’t have worried — panel mates Brady Evans, Jon Murakami, Roy Bann and Audra Furuichi all helped turn that panel into a lovely lengthy chat about our various fandoms. If you haven’t listened to the panel yet, the audio (which weighs in at 121 MB) remains available for download at ow.ly/uwyBr, while the slides are available at ow.ly/uwyTQ.

Eboshimaro, friend to all children (March 8)

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Ahhhhhhh yes, yuru-chara, the Japanese phenomenon in which mascot characters are called upon to promote certain aspects of their prefecture, company or event. They’re also usually awesomely cute, which would explain why Eboshimaro here, the mascot representing Chigasaki, Japan, had a steady stream of people coming up to him at the Honolulu Festival asking for pictures. Apparently he was tweeting regularly from the festival, too; here are his tweets and pictures from that weekend.

And that wasn’t the only regional mascot to visit Hawaii this year. At the very beginning of Star-Advertiser photographer Krystle Marcellus’ video from the Honolulu Marathon (www.youtube.com/watch?v=ckleJBr–ns), you can catch a good look at Mojaro, the walking monjayaki from Isesaki’s annual Monja Festival. (Monjayaki is okonomiyaki’s messier-looking, higher-stacked cousin.)

That’s right. There exists a pile-of-food mascot. And one that looks like one of the ghosts from Pac-Man had an unfortunate accident, at that.

I’ll give you some time to ponder that.

Singing in the lane (April 4)

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What would a year-end roundup be without at least one highlight from what’s become the biggest event on the annual otaku calendar, Kawaii Kon? As longtime attendees know, a necessary evil of attending anime cons year after year is waiting in lines to get into the various events. This year, though, this guy made waiting for opening ceremonies more tolerable, going up and down with his guitar singing his original song about Kawaii Kon.

It’s all about the details (July 3)

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MangaBento, the anime/manga-inspired group of young artists, held its annual show on the second floor of the Honolulu Museum of Art School. this year’s show, “Showme,” featured this mural lining the elevator. A nice mural, to be sure. But upon closer examination, several smaller flourishes really stood out.

That’s what I love whenever I look at art: taking in the piece as a whole, then looking close-up at the finer details. It’s an experience I hope (and pretty much expect!) to repeat next year.

Sparkle pretty “Ponponpon” party time (July 20)

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Yes, super-omega-popular boy band Arashi performed out at Ko Olina to the delight of thousands of fans both from here and visiting from Japan, and they had the benefit of a pop-up store at Shirokiya and those visitors snapping pictures of pretty much every poster put up around Ala Moana. But their concert tickets were kinda pricey and I didn’t have a vacation day to spare, so this was my J-Pop concert experience for the year: Kyary Pamyu Pamyu, the singer who burst onto the scene with eyeball-dotted shorts, pastel-colored human hearts and flying bread slices and has kept up a consistent pace of releasing weirdly wonderfully artsy odd music videos ever since. Her concert was an extension of that, a whirlwind of tightly choreographed sequences on a toybox-themed stage with a nice selection of her hits to date. And a giant neon-colored bear, too. (The afternoon heat was a bit much for her, though; she said during the concert that she hoped to do an arena show next time she’s in Hawaii.)

Jan-ken-po, art-to-show (May 17)

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In another one of those events that I attended but have yet to write about in this space (*sob*), Patsy Iwasaki and Avery Berido, the Hawaii island-based writer-artist team behind Hamakua Hero: A True Plantation Story, came to Honolulu to talk about the book as part of the revival of the  Crossing Cultures: The Art of Manga in Hawaii exhibit at the Japanese Cultural Center of Hawaii. Well, okay, so it was Iwasaki doing most of the talking while Berido drew, but it’s okay, we love them both.

Berido’s drawing was given away at the end of the talk via a series of jankenpo matches among audience members. It came down to these two, and the guy on the left won this original piece. Sweet victory, I must say.

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Smiles to go, to go! (May 31)

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I said back in June that this was my favorite picture of the year to date, and now, looking back on a year’s worth of pictures, it remains a favorite of mine. Taken back at the during the Crossing Cultures artist meet-and-greet, it just captures a certain joy between the boy and his newly purchased Blue plushie, and artist Audra Furuichi. Making a child smile with the fruits of what you do for a living is a heartwarming talent to possess, indeed.

Simply having a wonderful Mini Con time (Sept. 27)

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I’ve noticed that at pretty much every midsize and larger event with cosplayers that I’ve attended this year, two people inevitably show up: one guy who cosplays as Deadpool (and who we’ll see later in this roundup, by the way) and Furry Red Friend, a cosplaying Elmo with his human handler. So when the Merc With a Mouth and Captain America Elmo showed up at Mini Con at McCully-Moiliili Library, with a nemu*nemu: Blue Hawaii postcard cutout just begging for a photo op? Hijinks ensued. Naturally.

Striking a pose (Oct. 11)

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Kawaii Kon’s annual Anime Day event showed up at Windward Mall with a mini Artist Alley, several drawing stations and a variety of cosplay competitions. One of those contests was a “pose-off,” where contestants had to come up with choreographed poses within a time limit. Here, two cosplayers prepare to do battle with Street Fighter poses! And then they rushed into battle! Who would reign supreme?!?

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… yeeeeeaaaah, okay, that didn’t end well.

We made it happen (Nov. 22)

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The story of Taku Taku Matsuri 2014 was a story of perseverance on the part of organizer Yuka Nagaoka. A Kickstarter campaign succeeded after much 11th-hour nail-biting. Then Hurricanes Iselle and Julio’s approach prompted her to postpone the event, a decision that drew some criticism when Iselle hit Hawaii island and fell apart and Julio veered away from the islands. Original guest of honor Kyle Hebert and a number of vendors also couldn’t return for the rescheduled event, forcing her to find replacements. And a second crowdfunding campaign on GoFundMe was … well … sluggish.

Yet despite all of that, and with a rallying cry of “We will make it happen,” the rescheduled Taku Taku Matsuri went out without any apparent hitches (although I must admit, I cringed while a full game of Quidditch took place outside the Manoa Grand Ballroom, praying the quaffle didn’t bounce off into one of the glass showcases or over the fifth-floor wall into the courtyard below). Attendees, it seemed, had a good time throughout the event. And Yuka is already proceeding with planning for the 2015 event, so we’ll see how that goes.

Cardboard carnage (Nov. 22)

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The concept of the cardboard mega-brawl: Combatants craft armor and shields from cardboard, then go one-on-one in a ring trying to knock strategically placed foam cups off each other using foam bats. But what do you do when your opponent is someone who showed up at Taku Taku Matsuri wearing full-on Danbo cosplay? Simple: Flail like a bat out of hell.

“Modern Love” meets modern mangaka (Dec. 3)

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We had a number of famous people in the anime and manga industries come to our fair rock in the middle of Pacific this year, among them Masako Nozawa, the voice of Goku in Dragon Ball Z; Hironobu Kageyama, who sang the Dragon Ball Z theme song “Cha-La Head-Cha-La”; Jim Cummings, the voice of Darkwing Duck and Tigger; and Cristina Vee, Mars/Rei Hino in the new Sailor Moon dub. Heck, Jamie Lynn Lano, former assistant to Takeshi Konomi on The Prince of Tennis, moved to Oahu to fulfill a lifelong dream of hers.

But the person who stands out in my mind at the moment is also the one who most recently visited Honolulu, the one whom (shameless plug) we interviewed and will be the subject of one of our first posts of 2015: josei mangaka Erica Sakurazawa, who wrote several books published by Tokyopop in the mid-2000s including The Aromatic Bitters, Angel and Between the Sheets and whose work Love Vibes is currently on display as part of the Honolulu Museum of Art’s “Modern Love” exhibit. Sakurazawa is shown here talking to exhibit curator Stephen Salel during a talk she gave at the museum in early December. Quite a bit of ground was covered in that talk and our interview, and I hope I can get all that out to you, dear readers, sooner rather than later.

So that does it for 2014! On behalf of tag-team partner in fandom Wilma J. and the Anonymous Otaku Ohana Director of Forced Social Interaction, I wish you all the best for the new year. Here’s hoping for many more good memories to come.

The great cat-alog of Oahu’s Doraemon statues

It was Jan. 20 — around when word was just starting to trickle out about “Meet Doraemon: Japan’s Time-Traveling Cat” opening at Bishop Museum a little less than a month away — when MidWeek cartoonist/Aiea Intermediate art teacher Roy Chang posted this picture to his Facebook timeline.

Where a cat and a dog can coexist together.

Random life-size Doraemon statue at Ward Warehouse was truly random! And there was nothing around at the time to indicate what it was for, who put it there, or why Doraemon was hanging around with a determined-looking dog under the escalators to and from The Old Spaghetti Factory. Since I was working on the museum exhibit preview with tag-team partner in fandom Wilma J., I asked my contact at the museum whether they had anything to do with it; she replied that they did not.

A few days passed before a picture of a second Doraemon statue popped up on my Facebook timeline, this one at Kahala Mall … along with a sign explaining that it was part of something called the “Doraemon Wakuwaku Stamp Rally.” I knew right then that I had to pay that statue, along with the Ward statue, a visit.

What I learned on that trip was twofold. First, that Kahala statue was really tucked away in a corner.

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That’s the stairwell in the theater wing of the mall, next to Kuru Kuru Sushi. You’ll note that to the right of the statue, there’s a black table with something on it. Here’s what it looks like close up:

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It turned out that this statue, along with the Ward statue, were both part of the aforementioned “Doraemon Wakuwaku Stamp Rally,” a promotion hosted by HIS Hawaii’s Lea Lea Trolley. As  I understand it — sadly, I haven’t been able to get anyone from HIS to formally comment on what’s going on — Japanese visitors who sign up for a certain tour package get a stamp card and go around town collecting seven stamps at various locations. (That’s one of the stamp pads on the table.) Here’s what some of those stamps look like.

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They can turn in the stamp card for some cool Doraemon-themed prizes, as seen on a table at the HIS Hawaii office at the Waikiki Beach Marriott. (For the record, I REALLY wish I could have a box of Doradamia Nuts. I know they’re just regular Hawaiian Host chocolates, but still! That box!)

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Sadly, I don’t think we regular folk are eligible to win these prizes, but HIS is currently running a contest via social media: Through April 30, you can post pictures of the statues around town to Instagram and use the hashtag “#doraemonhi” to be eligible to win gift certificates to Ruth’s Chris Steak House, the Prince Court Restaurant at Hawaii Prince Hotel Waikiki, and the Magic of Polynesia.

It took me a few months (and repeat visits; you can’t imagine how I felt when I learned that (a) some of the statues later had informational placards added to them and (b) three more statues had appeared when I thought I had found all of them), but I’ve managed to track down the locations of at least 13 statues that are part of this promotion, placed between downtown and Kahala Mall. They really are all over the place, next to information booths …

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…tucked away in shopping malls …

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… and, of course, in HIS Hawaii offices.

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Add in the 10 that will be on the Bishop Museum campus through Sunday, and the number of Doraemon statues on the island rises to 23. Without further ado, here are the Doraemon 23; while each Doraemon is holding a different gadget, they aren’t always identified or explained fully. I’ve tried to include whatever information was available nearby in the captions.

So where are all these statues coming from? A quick Internet search found a handful of posts about “100 Years Before the Birth of Doraemon,” an exhibition that showed up in Hong Kong in 2012 and Taiwan in 2013 that featured 100 Doraemon statues. It’s very likely our visiting friends came from that exhibit; see if you can find some of them in this Alvinology II post.

A few other notes and pictures I picked up while I was running around finding all of these statues:

>> The trickiest ones for the general public to get to are #3 and #12. #3 is in the Lea Lea Lounge, which is technically open only to visitors using HIS Hawaii’s services, but ask someone at the counter really nicely, and they’ll probably let you in. #12, meanwhile, is actually located inside an HIS Hawaii staff office; if you were to walk past, you can see its feet behind a frosted “STAFF ONLY” door. Again, I asked nicely and was allowed to take a few pictures, but I really don’t feel comfortable about sending a bunch of people who read this post to do the same, which is why I left the exact location intentionally vague.

>> The most abused statue easily has to be Leaftector Doraemon at Market City Shopping Center. Shopping center patrons, you should be ashamed of yourselves for doing this to poor Doraemon. Fortunately, it’s been cleaned up before, and it’ll be cleaned up again, but this is just embarrassing:

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>> Photo ops with the statues abound, as it did when a family with a baby was taking pictures with Honest Thomas Doraemon and a group of Japanese tourists showed up. Much cooing and cuteness ensued.

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>> There was also a bit of photo traffic over at Pass Loop Doraemon when I visited.

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As I mentioned earlier, the Doraemon exhibit at Bishop Museum closes on Sunday, but the remaining 13 statues will be around through the end of the HIS Hawaii promotion on Nov. 30, so you’ll have plenty of time to visit those.

A trek through Bishop Museum’s Anywhere Door

And now, the post that’s taken far too long for me to write.

Waaaaaaaay back in mid-February, “Meet Doraemon: Japan’s Time-Traveling Cat” took up residence at Bishop Museum. In the time it’s been here, this town has gone robo-cat crazy, partly because of the exhibit, partly because of an unrelated visitor stamp rally hosted by HIS Hawaii. So sure, you’ll come across a banner heralding the exhibit’s presence at the museum’s campus in Kalihi …

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… but you may also see Doraemon and friends on the side of a LeaLea Trolley on streets near Ala Moana and Waikiki.

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Or, if you were watching the Honolulu Festival’s Grand Parade last month, you could see him being wheeled along the parade route.

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It’s been a fun past few months, but you only have nine days left to see it — the Doraemon statues, Fujiko F. Fujio artwork, Anywhere Door and a whole bunch of other stuff will be packed up and head back to Japan after April 20.

I could go into excruciating detail as to why it’s taken so long for this post to be written — the cold! the writer’s block! Kawaii Kon prep! But the main point is that time is running short, there’s another museum free-admission day right around the corner — YMCA Healthy Kids Day on Saturday; kamaaina and military with valid ID, step right up — and I wanted to get something posted on the record before then.

I’d also be remiss if I didn’t mention that if you sign up to be a museum member now, you’ll get a special Doraemon-edition membership card. Annual memberships start at $50 general, $45 seniors and $35 students and net you admission to the museum, along with a number of other perks that pile up at higher tiers. But c’mon, is this not the coolest museum membership card you’ve ever seen?

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It should be noted that it’s possible to see Doraemon at a number of points between Kalihi and Kahala right now. I’ll go into that in more detail in my next post (along with details about a contest this month that’s quietly unfolded on Instagram), but today’s post focuses more on what’s on display at the museum. Whether you’ve already visited, have yet to do so or can’t make it out here before it closes, I hope you’ll enjoy this virtual tour of 67 percent of the exhibit.

As for that other 33 percent: You’re going to have to figure out some way to see that for yourself. The gallery portion of the exhibit, featuring manga pages drawn by Fujio, is off-limits for photography and video recording. This much can be said about it, though: In that section, there’s a timeline of Fujio’s career, a giant photo of his desk, and five themed galleries, each one based on a Doraemon movie: Nobita’s Dinosaur (1980), Nobita’s Great Adventure Into the Underworld (1983), Record of Nobita’s Spaceblazer (1980), Nobita and the Steel Troops (1985) and Nobita and the Haunts of Evil (1981).

It’s a pretty even split between Fujio originals and reproductions on display — 36 of the exhibit’s 70 pages are originals, 34 are copies — but it takes a really close look at each piece to tell which is which.

That, of course, and the assistance of the handy Copy Robot icon.

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Next time in Otaku Ohana: Noticed all those statues sitting around the exhibit? There are 10 at the museum … and another 13 (that I know of so far, anyway) out in the wild. I’ll have a guide to where you can find all of them … if you’re as obsessed as I am about such things, anyway.

First local ‘Wind Rises’ screening tidbits emerge

As far as anime-related movie screenings are concerned locally, this week belongs to Anohana: The Flower We Saw That Day: The Movie, showing at the Ward Stadium theaters on Oahu and the Kaahumanu 6 theaters on Maui at 7 p.m. today and 2 p.m. Saturday.

The Wind Rises promotional poster (courtesy Disney)But here at Otaku Ohana, we like looking forward to the Next Big Thing. And if October’s sellout of a single showing in two large auditoriums at the Dole Cannery theaters during the Hawaii International Film Festival was any indication, that Next Big Thing is the wide release of The Wind Rises, the latest Studio Ghibli movie to be localized for American audiences. As director Hayao Miyazaki’s feature film swan song (or maybe not, who knows), the historical drama about airplane designer Jiro Horikoshi has already garnered raves from most people who have seen it and an Oscar nomination for best animated feature. (Confession: I felt a little “meh” about it after that initial October viewing. It may take another viewing for me to come around on that.)

It was never a question of if The Wind Rises would make it back here. Disney picked up distribution rights again after ceding From Up on Poppy Hill to GKids and brought in an all-star cast — that all-grown-up guy from Third Rock From the Sun! That actress from The Devil Wears Prada who isn’t Anne Hathaway or Meryl Streep! Frodo! Inigo Montoya from The Princess Bride! A bunch of others! — and already promised it would release the film nationwide. It was more a matter of where it would show up and how Disney would market it, considering (a) there isn’t too much of the fantasy/whimsy that has given many Ghibli releases widespread appeal, (b) it’s a mature story that encompasses the Great Kanto Earthquake, the tuberculosis epidemic and Japan’s march toward World War II, and (c) Jiro and his friend, Honjo, suck back enough cigarettes to make any anti-tobacco movement cringe.

The film’s been given a PG-13 rating and is being released under the Touchstone Pictures banner, so at least the distinction that this movie is for older audiences is there. As for where it’s playing, Consolidated Theatres’ website quietly added some insight into that over the past few days. Mark your calendars now, because The Wind Rises is currently listed to open at the Ward Stadium complex on Friday, Feb. 21, then expand out to the Kahala, Mililani and Pearlridge theaters on Oahu and the Kaahumanu 6 theaters in Kahului a week after, on Feb. 28.

No showtimes listed yet, but I’m sure those will show up in due time. The fact that it’s on Consolidated’s radar in and of itself is a good sign, so get excited, Hawaii anime fans.

Ota-cool incoming!

MangaBento: This group of anime- and manga-inspired artists usually meets every second and fourth Sunday of the month at the Honolulu Museum of Art School (1111 Victoria St., room 200). Visit www.manga-bento.com. Next meeting: 1 to 4 p.m. Sunday.

Kawaii Kon Karaoke Kompetition: The road to KKX continues with this, the first of three preliminary rounds for the anime convention’s annual karaoke contest. Aspiring singers, read up on the rules at http://kawaiikon.com/events/karaoke/karaoke-preliminary-rounds/ (and don’t forget to submit your form by 11 59 p.m. Saturday!) then make your way to Orvis Auditorium on the University of Hawaii at Manoa campus. Check-in starts at 12:30 p.m. Sunday; the singing itself takes place from 1 to 3 p.m.

Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; locations within the mall may vary. Visit www.facebook.com/groups/ComicJamHawaii (Facebook login required). Next meeting: 1 to 4 p.m. Feb. 2.

DJ Append promotional video shoot: Did you go to the Oni-Con Hawaii dance party on the first night and enjoy the vibe? Did you not go, yet don’t mind actin’ the fool while a camera’s rolling? DJ Append, the deejay mixing the tunes at that dance party, will be filming his first video, and you’re invited to attend. Free food and drinks, too! RSVP at https://www.facebook.com/events/1394457884137527. 609 Keawe St., Sat., Feb. 8.

“Meet Doraemon: Japan’s Time-Traveling Cat”: Yup, the Fujiko F. Fujio Museum’s created a traveling exhibit about the blue guy and decades-old Japanese icon, and Bishop Museum is where it’s going to make its first stop. You know I’m going to have much, much more to say about this down the line, but for now, here, have the museum’s official preview. Bishop Museum (1525 Bernice St.), Feb. 15-April 20.

Anime Swap Meet: Hosted by Kawaii Kon, this opportunity for local otaku to buy and sell assorted preowned collectibles from one another will be part of the the 24th Annual Hawaii Collectors Expo on Sat. Feb. 22 and Sun., Feb. 23. Interested in selling? Check out http://www.kawaii-kon.org/index.php?cID=263 for all the details; registration deadline is Feb. 12 at midnight. (Worth noting: It’ll cost $25 to sell on Saturday, $20 on Sunday; one person per 5-square-foot space; everything must be displayed on the ground.) Interested in buying? Start saving your pennies now. (There’s also a $5 admission charge, but it’s free for members of the military with valid ID … and for those of you who cosplay, too!)

Future attractions

Honolulu Festival: It’s the 20th anniversary edition of the festival promoting harmony between Hawaii and the Asia-Pacific region; the theme: “Jubilation, One Heart, One Pacific, One World.” Just as in previous years, Kawaii Kon will have an exhibit, and the Nagaoka Fireworks display will put a bow on the proceedings. Hawai’i Convention Center and other venues around Waikiki, March 7-9.

Kawaii Kon 2014: Guests for the 10th anniversary edition include voice actors Jim Cummings, Grey DeLisle, Ayumi Fujimura, Quinton Flynn, Richard Horvitz, Tetsuya Kakihara, Vic Mignogna, Michael Sinterniklaas and Stephanie Sheh; musical guests Kagemaya Hironobu and Yoko Ishida; professional cosplayer Leah Rose; the Chalk Twins, traveling performance artists who will be crafting a giant chalk mural; and local comedian Augie T., serving as emcee. Preregistration open now; $37 for a three-day pass for children ages 5-12, $42 general admission. Hawai’i Convention Center, April 4-6.