The Great Otaku Calendar of All the Things, July Edition

There isn’t much time to explain why I’ve been away for so lo–

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… OK, fine, so there’s that. But seriously, there isn’t much time to explain why I’ve be–

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… yeah, OK, that too. But that’s really everything that’s been distracting me at the mo–

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… umm, let’s just get to this month’s event calendar, shall we?

ghibli porco

The Miyazaki Ghibli Film Festival: “But I thought we just had a Ghibli film festival in April!” you say. Ahh, but that one didn’t feature films being screened in the historic Hawaii Theatre. Nor did it feature a festival-exclusive Ghibli-themed T-shirt, a cosplay contest (2 p.m. Sunday), entertainment from the Drowning Dreamers Band (7-7:30 p.m. Friday) and Makkuro KurO.K. (7-7:30 p.m. Saturday), food vendors Pig & the Lady (Friday) and Onomono (Saturday and Sunday) or an Art+Flea-hosted room full of crafters, including friends of the blog Marisa and Carole Gee of Kawaii Mono, who’ll be selling all these Ghibli-themed charms at the event:

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Related to that, Kawaii Mono is giving away a Miyazaki prize pack valued at $50; visit instagram.com/kawaiimono808 for details. (If you win, though, you’ll have to pick up your prize at the festival; keep that in mind before you enter.) Best of all, if you just want to skip the movies and enjoy the festivities, admission to that is free. You can visit the crafters in the theater’s Weyand Room from 3 to 8 p.m. Saturday and 11 a.m. to 3 p.m. Sunday.

As for the movies themselves? You can choose from Princess Mononoke (subtitled) at 8 p.m. Friday, Kiki’s Delivery Service (dubbed) at 4 p.m. Saturday, Spirited Away (subtitled) at 8 p.m Saturday, and/or My Neighbor Totoro (dubbed) at 3 p.m. Sunday. Tickets are $15 general, $10 children ages 4-17, free for children 3 and under. For more information or tickets, visit hawaiitheatre.com.

keiki con 2016

Keiki Con: Central Oahu’s largest con-style event is back for a second year in Mililani Mauka, and it’s boasting quite a lineup of guests in the Artist Zone: Pineapple Man creator Sam Campos, Mana Comics creator Christopher Caravalho, Gordon Rider/Ara-Rangers/Edamame Ninjas creator Jon Murakami will all be there Members of Comic Jam Hawaii will be hosting a table with drawing activities (and they’ll be drawing as well!), and Headshot Heroes will be doing a live painting demo (when he’s not giving kids a chance to visit with Elmo, of course). Kawaii Kon/Comic Con Honolulu representatives will be on hand with ticket specials, and they’ll also be giving away two 3-day passes to CCH later this month. And no mini-con would be complete without a cosplay contest, taking place at 11:45 a.m. (and if you’re interested in participating in that, be sure to check in no later than 11:30 a.m.). Food booths, entertainment, and, of course, plenty of activities for the kids round out the event. Mililani Recreation Center 7 (95-1333 Lehiwa Dr.), 10 a.m.-3 p.m. July 9.

Hawaii Geek Meet: If it’s geeky, it’ll probably show up somewhere during this 9th-annual meet-up — cosplayers, a Quidditch team, the Last Outpost and the Pacific Outpost of the 501st Legion being among those who are planning to show up. Also notable: Just four days after the game overwhelmed Android and iOS networks nationwide, there’s already a Pokemon Go farming meetup planned. Geeks are super-efficient! Kapiolani Park, 9 a.m.-3 p.m. Sunday.

CCH logo

Comic Con Honolulu: George Takei, original Star Trek actor and overseer of everything viral on the Internet, is the headliner at this, the next stop for Con-athon 2016. Other key guests from the 22-person lineup include Sean Astin, Sam Gamgee in the Lord of the Rings trilogy; John Barrowman, Capt. Jack Harkness in Torchwood and the Dark Archer in Arrow; Mythbuster Grant Imahara; Deadpool co-creator Fabian Nicienza; and Kristin Bauer, currently starring as Maleficent in Once Upon A Time. Hawai’i Convention Center, Friday-Sunday, July 29-31.

A whole lotta Ghibli goin’ on

Not shown: The part where Ponyo says she likes haaaaam. (Why yes, we used this same joke with Wilma's Ponyo review in 2012. We're all about the running gags here.)
Sosuke and Ponyo prepare for their magical boat ride. (Photo courtesy Nibariki-GNDHDDT)

Remember all those times I’ve said in the past few years that [INSERT MONTH/YEAR HERE] is going to be the best month ever for theatrical anime being screened locally? First of all, congratulations, you have a very good memory. Second, you may now forget I ever said that before, because April 2016 is claiming that title of best month ever now and forever.

The reason: Starting Saturday and running through May 5, for every day except Fridays (gotta make that new-release box office bank, after all!), Consolidated’s theaters across Oahu and their Kaahumanu complex in Kahului will be home to the Studio Ghibli Festival, screening every major Studio Ghibli film ever made. That’s everything from 1984’s Nausicaa of the Valley of the Wind, Hayao Miyazaki’s pre-Ghibli feature that led to the creation of the studio, through 2014’s When Marnie Was There, plus the live-action Kingdom of Dreams and Madness documentary for good measure. That’s 22 good-to-great movies and Tales From Earthsea — which was kind of a disappointment for me — over roughly a month.

… yeah, I’ll just leave this meme here.

take my money meme

Most of the films will be screened two or three times each over the month, with English-dubbed and English-subtitled versions available. The more popular films — Howl’s Moving Castle, Kiki’s Delivery Service, My Neighbor Totoro and Spirited Away — will be shown four times each.

But the real rarity in the group is Ocean Waves (Umi ga Kikoeru), the 1993 made-for-TV movie that is the only major Ghibli project never to see wide release in the U.S. now that GKids finally picked up Only Yesterday. The film’s rights belong to Disney, which kinda has bigger fish to promote, so we probably won’t be seeing that in wide release any time soon, either. Ocean Waves will be shown exactly once — mark your calendars for 7 p.m. Thursday, April 14, and set your GPSes for the Koolau 10 complex, across from the Valley of the Temples cemetery in Windward Oahu.

Breaking down the numbers further, the big winner in terms of number of screenings is the Kapolei 16 complex, which will be showing 15 out of the 23 movies available, all of them subtitled. The Koolau, Mililani 14 and Pearlridge 16 theaters come in tied for second with 10 apiece, in both subbed and dubbed flavors at the first two and all subbed at Pearlridge.

Here’s the full screening schedule organized by theater, with GhibliWiki links in case you’d like to learn more about each movie. (Trust me, if I had to write 23 synopses and attach 23 trailers like I usually do with these previews, this post would have been posted sometime in February 2022.) Prefer to see what’s on deck chronologically? Here’s Consolidated’s “coming soon” list. Tickets, at $10 each, are available now on Fandango (except for the April 30 Kahala screening of The Wind Rises for some weird reason). Sorry, no passes are being accepted.

Kahala 8

All films dubbed; screenings at 11 a.m. Saturdays.

Castle in the Sky: April 2

Kiki’s Delivery Service: April 9

Spirited Away: April 16

Howl’s Moving Castle: April 23

The Wind Rises: April 30 (note: ticket sales not available yet)

Kapolei 16

All films subbed; screenings at 7 p.m. Mondays, Tuesdays and Thursdays.

Nausicaa of the Valley of the Wind: April 4

Castle in the Sky: April 5

My Neighbor Totoro: April 7

Kiki’s Delivery Service: April 11

Only Yesterday: April 12

Pom Poko: April 14

Whisper of the Heart: April 18

Princess Mononoke: April 19

The Cat Returns: April 21

Tales From Earthsea: April 25

Ponyo: April 26

From Up on Poppy Hill: April 28

The Wind Rises: May 2

Kingdom of Dreams and Madness: May 3

When Marnie Was There: May 5

Koko Marina 8

All films dubbed; screenings at 11 a.m. Sundays.

My Neighbor Totoro: April 3

Whisper of the Heart: April 10

Secret World of Arrietty: April 24

Tale of the Princess Kaguya: May 1

Koolau 10

11 a.m. Sunday screenings dubbed; 7 p.m. Thursday screenings subbed.

Porco Rosso: April 3, 11 a.m.

Nausicaa of the Valley of the Wind: April 7, 7 p.m.

Pom Poko: April 10, 11 a.m.

Ocean Waves: April 14, 7 p.m.

The Cat Returns: April 17, 11 a.m.

Princess Mononoke: April 21, 7 p.m.

Tales From Earthsea: April 24, 11 a.m.

Ponyo: April 28, 7 p.m.

When Marnie Was There: May 1, 11 a.m.

Tale of the Princess Kaguya: May 5, 7 p.m.

Mililani 14

11 a.m. Saturday screenings dubbed; 7 p.m. Wednesday screenings subbed.

Nausicaa of the Valley of the Wind: April 2, 11 a.m.

Castle in the Sky: April 6, 7 p.m.

Only Yesterday: April 9, 11 a.m.

Whisper of the Heart: April 13, 7 p.m.

My Neighbors the Yamadas: April 16, 11 a.m.

Tales from Earthsea: April 20, 7 p.m.

Ponyo, April 23, 11 a.m.

Howl’s Moving Castle: April 27, 7 p.m.

From Up on Poppy Hill: April 30, 11 a.m.

Kingdom of Dreams and Madness: May 4, 7 p.m.

Pearlridge 16

All films subbed; screenings at 7 p.m. Tuesdays and Wednesdays.

My Neighbor Totoro: April 5

Grave of the Fireflies: April 6

Kiki’s Delivery Service: April 12

Porco Rosso: April 13

Spirited Away: April 19

My Neighbors the Yamadas: April 20

From Up on Poppy Hill, April 26

Secret World of Arrietty: April 27

The Wind Rises: May 3

Tale of the Princess Kaguya: May 4

Ward Stadium

All films subbed; screenings at 7 p.m. Mondays.

Grave of the Fireflies: April 4

Only Yesterday: April 11

Spirited Away: April 18

Howl’s Moving Castle: April 25

When Marnie Was There: May 2

Kaahumanu (Maui)

11 a.m. Saturday screenings dubbed; 7 p.m. Thursday screenings subbed.

My Neighbor Totoro: April 2, 11 a.m., April 7, 7 p.m.

Kiki’s Delivery Service: April 9, 11 a.m., April 14, 7 p.m.

Princess Mononoke: April 16, 11 a.m., April 21, 7 p.m.

Spirited Away: April 23, 11 a.m., April 28, 7 p.m.

Howl’s Moving Castle: April 30, 11 a.m., May 5, 7 p.m.

Elsewhere around town

Aiea Library Polar Bear Cafe & Friends Anime Club: Every month, I joke with young adult librarian Diane Masaki that she ought to change the name of the Anime Club to the Polar Bear Cafe & Friends Club, seeing as how the screening schedule for the past few months has consistently been two episodes of the 2012-2013 anime followed by two more episodes of something else. (April’s “friends” are the ship-gals of KanColle.) The response this time around: Crisis! Diane’s approaching the end of the Polar Bear run! And there aren’t very many KanColle episodes left, either! What will the club screen next? And what will be the next running gag for this item?!? At the library, 99-374 Pohai Place, where, yes, there’s still plenty of parking. For more information or to RSVP, call 483-7333 or email aiealibraryanimeclub@yahoo.com. 3 p.m. Saturday.

Sanrio Ala Moana Anniversary Party: Head out to Ala Moana Center and take pictures (or selfies, if you’re alone) with a giant Hello Kitty mascot character and also enjoy: Special product promotions! Free face painting and Hello Kitty hat with any purchase! And a special gift with any $75 purchase! 11 a.m.-4 p.m. Saturday.

Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; check their Facebook page for where in the mall they’ll be meeting. Visit www.facebook.com/groups/ComicJamHawaii (Facebook login required). Next meeting: 1 to 4 p.m. Sunday.

Ota-cool incoming: November rain, cinematic reign

After the flurry of activities that was Con-athon 2015 — five straight weekends between September and October, five convention or convention-like festivals — you’d think we’d be getting a breather with the holidays approaching.

You’d be wrong. Ohhhhhhh so very wrong.

From the beginning of this month’s free-movie roster at Kahua Cafe through Anime Matsuri Hawaii at the end of this month, this has become yet another “want something to do THIS week? Here ya go!” month in an endless parade of such months. This edition of the Ota-cool Incoming calendar starts off with a roundup of all the movies screening in the next few weeks, starting with …

Ponyo

Wednesday Family Nights at Kahua Cafe: All this month, Kahua Cafe will be screening Hayao Miyazaki/Studio Ghibli favorites. It’s a family-friendly event, so the movies will be the English-dubbed versions, and they’ll be screening from 6:30 to 8:30 p.m. The lineup:

  • Wednesday: Kiki’s Delivery Service
  • Nov. 11: Ponyo
  • Nov. 18: Spirited Away
  • Nov. 25: Howl’s Moving Castle

Kahua Cafe is in the back of Na Mea/Native Books Hawaii, on the first floor of Ward Warehouse below The Old Spaghetti Factory. They have a pretty yummy-looking menu, too. Questions? Hit them up on their Facebook event page (they were prompt in answering my questions!) or call 990-0384.

(And if that photo above looks familiar, you have a very good memory.)

Anthem of the Heart: There’s one more screening of this tale from the Anohana creative team of a girl with words sealed away in her heart: noon Saturday at the Consolidated Ward Stadium 16 theaters. Here’s a trailer.

I already mentioned this in my last post, but since then a new review has popped up on Fandom Post. Spoiler alert: It gets an A+. A home video release can’t arrive soon enough for me.

GitS

Ghost in the Shell: The New Movie: Not to be confused with Ghost in the Shell: The Original Movie, Ghost in the Shell 2: The Kinda Confusing Sequel to the Original Movie, or Ghost in the Shell: Stand Alone Complex: Solid State Society: And This One’s Based on the TV Seriesthis particular installment follows up on the events of the four-part Arise OAV. The prime minister of Japan is dead, the Fire-Starter virus continues to infect Ghosts, and Major Motoko Kusanagi and the members of Section 9 must untangle the complex web of government corruptions and shadowy figures to figure out what’s going on.

Here, have another trailer.

The movie has a limited run at the Consolidated Ward theaters before moving to the Honolulu Museum of Art for nine, count ’em, nine screenings. Your showtimes:

  • Consolidated Ward Stadium 16: 7:30 p.m. Nov. 10, 11 and 16
  • Doris Duke Theater (Honolulu Museum of Art): 4 and 7:30 p.m. Nov. 15, 1, 4 and 7:30 p.m. Nov. 21, 1 p.m. Nov. 22, 1 and 7:30 p.m. Nov. 27

Tickets are available on Fandango for Ward ($12.25 general, $9 seniors, $8.75 children) and the art museum website ($10 general admission, $8 museum members) for the Doris Duke screenings.

boy and beast

Hawaii International Film Festival: There’s only one anime in this year’s HIFF Fall Showcase (Nov. 12-22). Fortunately, it’s the latest project from one of the best creators still around since Studio Ghibli went dormant: Mamoru Hosoda, director of the great The Girl Who Leapt Through Time, the sublime Summer Wars and the sounds-great-but-it’s-still-on-my-pile-of-things-to-watch Wolf Children. His latest movie, The Boy and the Beastfeatures loner Kyuta (side note: I seem to be writing a lot of synopses these days where the main character is described as a loner of some sort, aren’t I?) embarking on an adventure-filled journey with Kumatetsu, a supernatural beast also isolated in an imaginary world.

Third trailer time!

The Boy and the Beast screens at 5:30 p.m. Nov. 21 and 5 p.m. Nov. 22, with both screenings at the Regal Dole Cannery theaters.

Also, for those of you who enjoyed Journey of Heroes, the comic book recounting the achievements of the 442nd Regimental Combat Team and 100th Infantry Battalion with chibi characters, author Stacey Hayashi has a pair of projects screening as part of this year’s “Made in Hawaii Shorts” roundup: “The Surrender Call,” based on Military Intelligence Service linguist Herbert Yanamura’s actions to save civilians during the bloody Battle of Okinawa, and “The Herbert Yanamura Story,” in which he shares his story and reunites with someone whom he saved from that battle nearly 70 years later. “Made in Hawaii Shorts” screens at 5:45 p.m. Nov. 16 and 10:45 a.m. Nov. 21 at the Dole Cannery theaters, and 3 p.m. Nov. 22 at the Consolidated Koko Marina theaters. If anyone reads this blog on Kauai, you guys can see these shorts, too, at 10:30 a.m. Nov. 21 at the Waimea Theatre.

HIFF tickets are $14 general, $12 students, seniors and military members. Memberships are also available for those of you who really love your movies. Visit hiff.org.

Elsewhere around town

“Short Story: Drawings by Brady Evans”: I’ve been covering the work of Brady Evans for quite a while now, from his days winning MangaBento art contests to starting art groups to curating an exhibit about manga in Hawaii to buying pretty artwork by him on display in art shows downtown, and probably a whole bunch of other things in between. Now Brady’s going to have an exhibit of his drawings on display at my alma mater, Punahou School, and I’m thrilled not only because I get to swing by there and see his work, but also because I can stop by the lily pond near Thurston Chapel. Fishies! Turtles! The occasional confused duck! I usually only plan on visiting once a year during the school’s annual malasada fundraiser for scholarships — you know, the Punahou Carnival — so this is a bonus visit for me. Kirsch Gallery (next to Cooke Library); opening reception 3:30-6 p.m. Thursday, exhibit on display through Nov. 19 (gallery hours 11 a.m.-3 p.m. Mondays through Fridays). Call 943-3247.

keiki con

Keiki Con: KYAAAAAAAAH IT’S ANOTHER CONVENTION-TYPE EVENT IN THE HANDY PETITE SIZE *runs away*

… just kidding. I’m just feeling guilty that I have yet to do any write-ups for the events that were part of that five-week Con-athon 2015 I mentioned earlier in this post. This event up in Central Oahu seems like it’s going to be a really fun time for keiki of all ages, with food trucks, games, various activities, a cosplay contest (register by 1 p.m. the day of the event); the Hawaii Game Truck; and an Artist Zone featuring make-and-take activities and Pineapple Man artist Sam Campos, Gordon Rider/Ara-Rangers/Edamame Ninjas/Star-Advertiser “Calabash” artist Jon Murakami, and Aumakua: Guardians of Hawaii artist Christopher Caravalho. Kawaii Kon will be on hand to give away free three-day passes (update 11/6, 5:30 p.m.: a pass will be awarded to the winner of the cosplay contest), too. Mililani Recreation Center 7 (take the H-2 Freeway to the Mililani Mauka exit, then shoot pretty much close to the top of Meheula Parkway; it’s at 95-1333 Lehiwa Drive, for you GPS types), 10 a.m. to 3 p.m. Saturday.

Comic Jam Hawaii: It’s the holiday season, which means this group of collaborative cartoon artists, ousted by preparations for Santa Claus and giant holiday trains at Pearlridge, is hitting the road this month. They’ll be at Aiea Library — home of the monthly Polar Bear Cafe & Friends Anime Club and the Face of Hawaii Ingress ™ — on Saturday and Nov. 21, from 1 to 4 p.m. The library is at 99-374 Pohai Place … and have I mentioned there’s still plenty of parking? What’s that? I mention that every time I mention there’s something at Aiea Library? Well, then. Call 483-7333.

Movies and myths and meanings, oh my!

Throw me a good story rooted in Japanese mythology, and I will make every effort to try to watch or read it. It worked with Studio Ghibli favorites like Spirited Away, My Neighbor Totoro, Princess Mononoke, Pom Poko and The Tale of the Princess Kaguya, other series/movies like Mushi-shi, Summer Days With Coo and (GeGeGe no) Kitaro, and probably countless other series that I’d love to get around to eventually.

YO_headshot 8 (2015)Japanese mythology also happens to be at the core of a new book by Yoshiko Okuyama, an associate professor of Japanese studies at the University of Hawaii at Hilo. The book, Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime, takes a scholarly approach of analyzing films with such themes, including anime like Ghost in the Shell 2: Innocence and the aforementioned Spirited Away and Princess Mononoke, and the live-action Onmyoji, Onmyoji 2, Dororo, Mushi-shi and Departures. But before you click away to go watch, say, Himouto! Umaru-chan, scared off by the phrases “semiotic” and “scholarly approach” in the last sentence, I should note that the book’s written for pretty much anyone who knows anything about Japanese films and mythology. If that’s your thing, then you’ll probably want to check out this book. Here’s a link; you can get 30 percent off cover price by using the code “LEX30AUTH15” at checkout.

book cover (color)But let’s say paying $60-$85 for a book is a tad out of your price range at the moment. No worries; you can still get a taste of what she wrote about through a series of talks she’s going to be giving on four major islands in the next few months. Her first talk is actually coming up … ummmm … Wednesday from 5 to 6 p.m. at the Hilo Public Library. Which is less than 24 hours from when this post is going live. Apologies for the really late notice; I’ve been dealing with (yet another) cold these past few days. Here’s the list of other confirmed appearances to date:

Kauai

  • Sept. 19: Hanapepe Public Library, 10-11 a.m.; Princeville Public Library, 3-4 p.m.
  • Sept. 21: Kauai Community College, Office of Continuing Education and Training (OCET), room 106 C/D, noon-1:30 p.m.; Lihue Public Library, conference room, 5-6 p.m.

Maui

  • Sept. 22: Kahului Public Library, 6-7 p.m.
  • Sept. 23: Wailuku Public Library, 1:30-2:30 p.m.
  • Sept. 24: UH-Maui College, noon-1 p.m.

Oahu

  • Oct. 2: UH-Manoa Center for Japanese Studies Seminars, Moore Hall, room 319, 3-4 p.m.

There are a few other tentative dates as well; I’ll add them to the Ota-cool Incoming calendar as I receive them.

By the way, while I’m talking about Ms. Okuyama, let me throw in this quiet announcement and see if anyone notices: I recently accepted her invitation to speak for an hour at UH-Hilo about things related to the local anime/manga fan community. It’ll be on Tuesday, Sept. 15 — a few days after HawaiiCon wraps up, and on the last birthday of my 30s, to boot! Exact time and location have yet to be determined. It’ll either be fun or a total train wreck … hopefully more of the former than the latter. Fingers crossed!

More “Wind” and a quick “Peace”

 

THE WIND RISES. © 2013 Nibariki - GNDHDDTKTrying to figure out what’s going on with the upcoming screening schedule for The Wind Rises, Hayao Miyazaki’s final film expanding into more theaters on Friday, could be a fitting metaphor for the movie itself: There’s a certainly a thing of beauty in there, but trying to find it may take repeat viewings. Fandango sorts Consolidated theater listings into ill-defined “VIP Room” and “Five-Star Lounge” categories, some screenings listed on Fandango aren’t reflected on Consolidated’s site, and Regal’s Windward Stadium listing actually changed completely between Tuesday and Wednesday … and remains incomplete, to boot.

It took a fair amount of staring — this post has been in the works for three days now! — but I think I finally have a handle on the schedule. As I noted in my last post, the film’s expanding to more theaters starting Friday. Three of those — Consolidated’s Pearlridge and Kahala complexes on Oahu and the Kaahumanu complex on Maui — will be joining Consolidated Ward in offering both the subtitled and English-dubbed versions. Consolidated’s Mililani and Kapolei theaters (and as far as I know, the Regal Windward and Dole Cannery theaters) will be showing the dub exclusively.

As for that whole “VIP Room” and “Five-Star Lounge” thing on Fandango? It seems like the “room” listings match up with the subbed screenings, while the “lounge” listings match up with the dubbed screenings. Weird, I know, especially considering “English dubbed” and “English subtitles” headers are on the Consolidated Ward listings, but it is what it is.

Without further ado, here are your local screenings, for the most part starting Friday and running through Thursday, March 6:

The Wind Rises promotional poster (courtesy Disney)Consolidated Ward: Sub 1:10, 7:30 and 10:25 p.m. daily; dub 10:45 a.m. and 4:35 p.m. daily

Consolidated Mililani (dub only): Friday-Sunday 11:05 a.m. and 1:50, 7:30 and 10:15 p.m.; Friday 4:35 p.m; Monday-Thursday 12:45, 3:40, 7 and 9:45 p.m. (4:35 p.m. Saturday/Sunday listings on Fandango are not available.)

Consolidated Pearlridge: Sub Friday-Sunday 4:50 and 10:20 p.m., Monday-Thursday 4:35 and 10 p.m.; dub Friday-Sunday 11:20 a.m. and 2:05 and 7:35 p.m., Monday-Thursday 11:15 a.m. and 1:55 and 7:20 p.m.

Consolidated Kapolei (dub only): 11:30 a.m. and 2:10, 4:50, 7:30 and 10:10 p.m. daily

Consolidated Kahala: Sub 4:15 p.m. daily, Friday and Saturday 9:45 p.m.; dub 1:30 and 7 p.m. daily, Friday-Sunday 10:45 a.m.

Consolidated Kaahumanu (Maui): Sub 11:45 a.m. and 2:30 p.m. daily; dub 10:45 a.m. and 1:30, 4:15, 7 and 9:45 p.m. daily

Regal Windward Stadium: Friday-Sunday 1, 4:10,  7:20 and 10:20 p.m.

Regal Dole Cannery: Friday-Sunday 11 a.m. and 1:50, 4:40, 7:30 and 10:20 p.m.; Monday-Wednesday 12:40, 3:50, 7:15 and 10:20 p.m.

If you’re curious as to how the English dub turned out, the Wall Street Journal’s “Speakeasy” blog posted an exclusive clip.

That would be the end of today’s cinematic anime update if not for the fact that another feature quietly showed up on the schedule. Short Peace from Katsuhiro Otomo (the man behind Akira and Steamboy) is actually a package of four short films:

  • In the 2013 Oscar-nominated short “Possessions (Tsukumo),” a lone traveler meets some unusual spirits at an abandoned shrine.
  • In “Gambo,” a mysterious white bear protects the royal family from an advancing demon. Featuring character designs from Evangelion designer Yoshiyuki Sadamoto.
  • In “Combustible (Hi-no-Youjin),” love, honor and firefighting come together in a tale from ancient Japan.
  • “A Farewell to Weapons” features men battling robotic tanks in apocalyptic Tokyo.

Sound interesting? You’ll have all of one shot to see it in a theater (as long as that theater is at Consolidated Ward or Kaahumanu), on Monday at 7 p.m. Prices are standard non-matinee rates. Here’s the Ward ticket link; here’s the Kaahumanu ticket link. If you miss that, the shorts will be available exclusively on the PlayStation Network later this year.

For more on Short Peace, visit shortpeace-movie.com.

 

 

‘The Wind Rises’ tickets go on sale

The Wind Rises promotional poster (courtesy Disney)I was shuffling between the Mililani Town Center gazebo and a Jamba Juice store on Monday — why, exactly, is not really important to this discussion (*cough*takingoverIngressportals*cough*) — when I spotted something in the window of the Mililani Stadium 14 theaters that I’ve been waiting to see for a while now.

There was a poster for The Wind Rises, director Hayao Miyazaki’s feature film swan song (or maybe not, who knows) and Oscar-nominated animated historical drama about airplane designer Jiro Horikoshi.

And a sign underneath: “ADVANCE TICKETS NOW ON SALE.”

Indeed, for those of you who like preparing ahead for such things, tickets are now available on Fandango for screenings starting Friday, Feb. 21, at least through Sunday, March 2, at most theaters. The bulk of the screenings available are for Feb. 21-27 at the Consolidated Ward Stadium complex, but shows are also available Feb. 28-March 2 at the aforementioned Mililani theaters as well as Consolidated’s Pearlridge West and Kahala 8 theaters and the Regal Dole Cannery 18 complex. Consolidated’s Kaahumanu 6 theaters in Kahului have tickets available for Feb. 28-March 6.

For the first week, at least, the Ward theaters will be switching between the English-subtitled and dubbed versions, so for those of you who don’t care about Joseph Gordon-Leavitt’s take on Jiro and would much rather prefer to hear the voice of Evangelion director Hideaki Anno in the role, you’ll have the option to watch that version. Catch the dubbed version at 10:45 a.m. and 4:35 p.m. or the subbed version at 1:40, 7:30 and 10:25 p.m. daily through Feb. 27.

It’s unknown as of now whether the subtitled version will make an appearance at the other theaters, but here’s the rundown of screenings available. Unless otherwise noted, the times shown cover the weekend of Feb. 28 only:

Mililani: 11:05 a.m. and 1:50, 4:40, 7:30 and 10:15 p.m.
Pearlridge: 11:15 a.m. and 2, 4:45, 7:30 and 10:15 p.m.
Dole (Feb. 28 only for now): 11 a.m. and 1:50, 4:40, 7:30 and 10:20 p.m.
Kahala: 10:45 a.m. and 1:30, 4:15 and 7 p.m. (9:45 p.m. showing on Feb. 28 and March 1 only)
Kaahumanu: 10:45 a.m. and 1:30, 4:15, 7 and 9:45 p.m. (Feb. 28-March 6)

Here’s the official trailer to get you ready to see it, where not a single word is spoken. See you at the theater.

Ota-cool! October, part 2: The “Wind Rises”-less guide to HIFF

"The Wind Rises" may be sold out, but this part of the post looked a bit gray without a picture here, so here you go.Let’s get the lead item out of the way: The Wind Rises, one of the Hawaii International Film Festival’s showcase Opening Night films and the Studio Ghibli production that is purportedly Hayao Miyazaki’s filmmaking swan song, is sold out online.

That’s not to say that you’re completely out of luck. It remains to be seen how many “rush,” or standby, tickets will be available, or whether there will be any encore screenings later in the festival. There’s also the prospect of sometime around next February, when Disney — picking up Ghibli film distribution again after letting From Up on Poppy Hill go to GKids — will likely send the film to theaters in wide release. (Just, y’know, prepare yourself for the two leads, Jiro and Naoko, to be played by the young stars or relatives of stars from current Disney Channel programming, like Noah Cyrus and Frankie Jonas in Ponyo or Bridgit Mendler in The Secret World of Arrietty.)

But Wind Rises aside, there are other films to keep local otaku happy, some with anime/manga roots, others that just seem … interesting. Here’s what’s on my list of highlights. Tickets are still available for all of these; hiff.org has information on how you can pick them up, whether online or in person. Unless otherwise noted, all films will be screening at the Regal Theatres Dole Cannery 18 complex:

Animation Maestro Gisaburo: Gisaburo Sugii has worked in the anime industry for longer than many (if not all) of you reading this have been alive. Consider this: He was an in-between animator for Hakujaden. Hakujaden, which was released in Japan in 1958, was the first Japanese feature-length animated film in color. And when Globe Pictures localized it as Panda and the Magic Serpent in 1961, it became the first anime to be screened for American audiences.

So yeah, he’s been around for a long time. He’s had a hand in directing installments in a number of notable franchises over the years, including Captain Tsubasa, Lupin III, Glass Mask, Street Fighter II and Touch. His latest movie, Guskou Budori no Denki, was released in Japan in July 2012. And this movie chronicles all of his career highlights. If that doesn’t make for a fascinating documentary, I don’t know what does. (Pair it with Night on the Galactic Railroad for the optimal Gisaburo weekend experience.) Screening Oct. 20 at 4 p.m.

The cover to Dark Horse's "Evangelion: Shinji Ikari Raising Project" vol. 1. Also an accurate visual portrayal of the popularity of Eva characters.Evangelion 3.0: You Can (Not) Redo: Shinji, NERV and the Angels are back in the third of director Hideaki Anno’s planned quadrology, and they’re doing what they do best: giving fans reasons to buy more variations of Rei, Asuka and Makinami toy figures fueling another round of Shinji x Kaworu yaoi fanfics bringing us one step closer to finding out if this version of Evangelion will give fans the definitive ending they’ve been looking for since 1996. Looking at HIFF’s promo images and this line of the synopsis:

Trapped in a harrowing cycle of death and rebirth, Shinji continues to courageously battle the angels, even as the world hurtles towards what could ultimately be its tragic end.

… it looks like we’re firmly in original-canon Evangelion: Death and Rebirth territory. You know, the movie that a Newtype USA reviewer once summarized as “Asuka goes crazy, Rei gets big, everyone dies.” And there’s still one more movie to go! Monday at 9 p.m. and Oct. 20 at 1:45 p.m.

The God of Ramen: Stick a steaming-hot bowl of freshly made ramen in front of tag-team partner in fandom Wilma J., and she is one happy gal. Stick a Japanese documentary about food in front of me — see Jiro Dreams of Sushi — and I’m definitely up for seeing it. So a film about a longtime ramen shop owner which plays out, as HIFF’s synopsis says, “like a 90-minute episode of Soko Ga Shiritai“? Yeah, we’re in for that. (It also helps that our schedules are such that we can actually clear time to watch it.)

I’ve also included this film in this guide because it’s the only one that’s screening for our neighbor island friends on Kauai and Hawaii island. (Yes, Parv, I saw your lament in the Ota-cool! October part 1 comments. I feel your pain.) Tuesday at 6:15 p.m., Oct. 17 at 1 p.m. at Consolidated Koko Marina, Oct. 19 at 5 p.m., Oct. 26 at 11:30 a.m. at Waimea (Kauai) Theater and Oct. 28 at 5 p.m. at Palace Theater in Hilo.

Harlock: Space Pirate: When director Shinji Aramaki (Appleseed, “The Package” in Halo Legends) was a guest at Kawaii Kon in 2010, he screened some super-spiffy CGI footage of this movie. Three years later, we’re finally getting to see his take on Leiji Matsumoto’s iconic intergalactic pirate and crew and their quest, aboard the battlecruiser Arcadia, to restore humans’ rightful place on Earth. But will he be able to overcome the corrupt Gaia Coalition standing in his way? Friday at 9 p.m. and Sunday at 8 p.m.

Hentai Kamen: Forbidden Superhero: It’s been about 10 years since I first began writing about anime and manga for what was then the Honolulu Star-Bulletin. I’ve seen a lot of weird things in Japanese live-action movies along the way — killer sushi, murderous baseball teams, giant wrestling cephalopods, a Lolita and a biker befriending each other, Hibari Misora appearing in a musical about a tanuki princess 16 years after her death, mecha-geisha assassins, stuff like that. And yet, taking all of that into account, here I am, marveling over how I never thought I’d ever be writing something about a sadomasochistic superhero who wears women’s panties as a mask and thong suspenders as a costume. Yup, this is Hentai Kamen. It’s based on a six-volume manga by Keishu Ando, published by Shueisha in Weekly Shonen Jump(!) in 1992-93, never formally translated for U.S. audiences (probably for very good reasons). Just … hide the children. Oct. 19 at 9:30 p.m. and Oct. 20 at 4:30 p.m.

night-on-galactic-railroad-2Night on the Galactic Railroad: Back in 2001, Central Park Media released this 1985 Gisaburo Sugii-directed film on DVD. You probably missed it, because, well, if CPM stuff actually sold at retail in the early 2000s, they’d probably still be around today. Besides, CPM stuff didn’t exactly have visual pop sitting on retail shelves — have a look at that cover at right for proof. I certainly missed out on it. Which is too bad, because the concept behind it — boy with a fractured family life and a tough social life is invited to come aboard a universe-traversing train — certainly sounds interesting. Almost Galaxy Express 999-ish, if you will, just without Maetel. The film has a fresh remastering sheen to it, too, so if anything, it’ll probably look better than that DVD release. Oct. 19 at 1 p.m.

Nuiglumar Z (Gothic Lolita Battle Bear): I’ve repeatedly said in my HIFF mini-previews that it takes a lot for a movie from Noboru Iguchi — the man responsible for those killer sushi and mecha-geisha assassins I alluded to above — to be upstaged in my pantheon of what-the-heck-ery. Yet Hentai Kamen managed to do just that this year. Still, a movie about a gothic Lolita superhero — played by cosplay/singing idol/blogger Shoko “Shokotan” Nakagawa — battling hordes of zombies with her teddy bear is still a pretty wacky concept, even if it doesn’t seem to reach the pulp-fiction heights of Iguchi’s previous works on the surface. Oct. 18 at 9:30 p.m., and Oct. 19 at 9 p.m. at Consolidated Koko Marina.

Rurouni Kenshin: The anime and manga versions of Nobuhiro Watsuki’s story of a former assassin-turned wandering protector is fairly well-known among longtime fans. And if you loved those, you’re probably going to head out to see this regardless of what I say about it, just for the sheer curiosity factor to see how well Takeru Sato and Emi Takei pull off Kenshin and Kaoru. So here’s my Rurouni Kenshin story: Whenever I think of the anime, the Judy & Mary song “Sobakasu” always pops to mind, mostly because I learned of its existence after the Tiggy song “Freckles,” part of the DDR MAX soundtrack. “Sobakasu,” as I learned, translates into “freckles.” The translated lyrics of the former are quite different from the English lyrics of the latter, though. Saturday at 9 p.m. and Sunday at noon.

Aloha, Toys N Joys (and other Ota-cool calendar additions)

toys n joys aiea

It took a few weeks for me to confirm the news, but now that all the players have been properly notified and the signs printed, I can now type this with authority: Both Toys N Joys stores — the store in Kaimuki, as I noted in the September Ota-cool Incoming! calendar, and the Aiea store, at 98-150 Kaonohi St. in the Westridge Shopping Center — will be closing on Sept. 23.

The Aiea store hasn’t been around as long as the Kaimuki store — 25 years compared to Kaimuki’s 30 — and it only had a fraction of the selection, but it’s always held a closer, more cherished spot in my heart. Part of it is because it’s physically closer to where I’ve lived all my life (central Oahu represent!). But it’s mostly because back in the days before one-click Internet shopping and a GameStop in every large neighborhood, it was the place to go to feed a budding local otaku’s ever-growing hunger for video games (both domestic and import) and anime collectibles. There’s a clerk there, Steve, who’s also been there for what’s seemed like forever. I don’t think he’s been there all 25 years — kinda hard to remember who was behind the counter when you’re 11 or 12, which is how old I would’ve been when the store opened — but it’s most assuredly been a long time. Friendly smile, always chats with me whenever I come in … great guy to know, really. I wish him and the other staffers nothing but the best in their future endeavors.

Here’s the current Aiea clearance sale breakdown:

  • All toys 25 percent off (plushies 50 percent off)
  • All video games 10 percent off
  • All DVDs 15 percent off
  • All Airsoft guns 20 percent off
  • All replica swords 25 percent off

There’s a good chance that the percentages will go higher the closer we get to closing day, so if you want to gamble on your preferred item of choice still being around for an extended period of time, it’s your call. You aren’t going to find anything super popular — it doesn’t seem like the merchandise mix has been updated for several months — but hey, you can think of it as your last chance to have a vintage otaku treasure hunt of sorts.

After the jump: some additional notes on events in September and October that have hit my radar after I published that Ota-cool calendar.

Continue reading “Aloha, Toys N Joys (and other Ota-cool calendar additions)”

The Cel Shaded Report, 3/30: “From Up on Poppy Hill” comes down to Kahala

Wonder if this makes it "Poppy Hill" on San Francisco hill. Hard to tell from this angle.Roy Chang — Aiea Intermediate art teacher, MidWeek cartoonist, Cacy & Kiara and the Curse of the Ki’i author and friend of the blog — visited San Francisco while on vacation for a few days last week, making me (and no doubt a good number of his Facebook friends) supreeeeemely jealous by posting pictures of his Bay Area adventures. One of the pictures he posted was the one you can see to the right: a From Up On Poppy Hill poster on a light pole in the SoMa district.

Poppy Hill is the newest film from Studio Ghibli to be localized for U.S. audiences, and the first to arrive under the umbrella of GKids Films. Ghibli, of course, is the production house of My Neighbor Totoro, Kiki’s Delivery Service, Spirited Away, The Secret World of Arrietty, Ponyo, Howl’s Moving Castle and many, many, many other quality films over the years … and Tales From Earthsea. The less said about Earthsea, the better. It’s worth noting, though, that Poppy Hill is the first time since Earthsea that Goro Miyazaki, son of Ghibli superstar Hayao Miyazaki, has directed a feature film and critical buzz has actually been good. (Hayao Miyazaki contributed the screenplay.) The story, set in Yokohama in 1963, follows Umi and Shun, two teens drawn together in their efforts to save a rundown clubhouse at their high school from being demolished … and eventually drawn closer with the bonds of budding romance.

Here, have a trailer.

Our Bay Area friends have been enjoying Poppy Hill since Friday, but the question was whether the movie would cross the Pacific and make its way to a theater near us. On the same night that Roy posted his picture, I checked GKids’ theater listing and was pleased to learn that the film will be screening locally … Consolidated’s Kahala 8 complex in Kahala Mall, to be exact. And it’s opening next Friday, April 5.

And that is pretty much all I know about the movie’s local release at this point. I’ve been watching Fandango over the past few days to see if there have been any links to advance ticket sales or showtimes posted; none exist as of yet. (I’d expect movement on this around Tuesday or Wednesday, which is when screenings over the next week usually are added to the database.) Unless there’s some special dispensation, I’m also expecting that the version that will be screening will be the English dubbed version, as seen in the trailer above; the subtitled version seems to be appearing only at select film festivals. It’s good that the film’s even showing up here in the first place, though, so please, no complaining.

Want to learn more about Poppy Hill? Visit fromuponpoppyhill.com.

Ota-cool incoming!

journey of heroes“Journey of Heroes” graphic novel: If you have yet to pick up this this manga-style book chronicling the achievements of the 442nd Regimental Combat Team/100th Infantry Battalion in World War II — and you really should get it; author Stacey Hayashi and artist Damon Wong did a great job with it — it’s available for sale at the Bishop Museum gift shop. It’s a tie-in with the exhibit “American Heroes: Japanese American WWII Nisei Soldiers and the Congressional Gold Medal,” which also looks like it’s worth checking out. Over at the Japanese Cultural Center of Hawaii gift shop (2454 S. Beretania St.), you can also get the book ($10 general, $9 JCCH members), some spiffy exclusive “Chibi Wear” aloha shirts for men and women ($75, $67.50 JCCH members) or, for you DIYers, pre-cut yards (36 inches by 44 inches) of any of the three available fabric styles ($20 per yard, $18 JCCH members). Bishop Museum exhibit on display through April 17.

Anime Manga Society at UH-Manoa: Meets every Thursday and Friday in Kuykendall Hall, room 305. Catch Cyborg 009, Kuroko no Basket and Hanasaku Iroha on Thursdays, or Magi, Psycho Pass and Toriko on Fridays. Social time/announcements 4:30 p.m.: screenings 5 to 7 p.m.

Manga character design workshop: Learn the basics of human anatomy and character design (and how to break those rules to develop your own style) from Tara Tamayori, the artist whose two-chapter story “Eternal Blade” is featured in the Hachi Maru Hachi anthology. Workshops will be held at the Honolulu Museum of Art School (1111 Victoria St., room 200) Cost: $15 per session, payable to the instructor at the beginning of each session. Designed for ages 12 and up. Special note: There’s already a waiting list for these workshops, so email peninkinfo@gmail.com or call the art school at 532-8741 if you’re still interested. April 7 and 14, 1 to 4 p.m.

Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; locations within the mall may vary. Visit www.facebook.com/groups/ComicJamHawaii (Facebook login required). Next meeting: 1 to 4 p.m. April 7.

“How to Draw Manga Faces”: If you can’t figure out what participants are going to be learning at this workshop at Treehouse (250 Ward Ave., suite 233) presented by MangaBento, you’re really reading the wrong blog. Recommended for ages 8 and older; cost is $10, art materials included. Feel free to bring your own, too, if you prefer. And yes, this is the same workshop that was supposed to be held March 9 but canceled due to lack of interest; here’s hoping for more interest this time around. Details and a link to register are at treehouse-shop.com/how-to-draw-manga-faces-workshop. 2 to 3 p.m. April 20.

“Ponyo” off a cliff

ponyo_posterWith Studio Ghibli’s latest film to be released in America, The Secret World of Arrietty, breaking box-office records for Ghibli films, I’m reminded of director Hayao Miyazaki’s 2009 film, Ponyo, Ghibli’s former top-grossing champion.

Being that Miyazaki is a perennial favorite of mine and my fiance, we had eagerly attended the early preview screening of Ponyo in Ward Theaters with high hopes. Afterward, however, we came out feeling, “…Huh?”

Admittedly, we went in with absolutely no knowledge of anything about the movie aside from the fact that it was done by Miyazaki and that its original English name when advertised in Japan was “Ponyo on a Cliff by the Sea.” The house lights went black, the familiar Totoro logo of Studio Ghibli came up, and then … we seemed to stray into some other world — a fantasy world, granted, but it was something that decidedly was not Miyazaki.

For those who don’t know the storyline, Ponyo is about a boy named Sosuke who discovers a strange ocean creature whom he names Ponyo, who has the body of a fish but the head of girl. Ponyo in her ocean homeland was always a curious girl, which is how she ended up stranded ashore to be found by Sosuke. After coming into contact with humans, Ponyo longs to be one of them, but her wizard father, Fujimoto, refuses to let her go. The clash between father and daughter eventually causes the oceans to swallow the land and threatens to destroy Sosuke’s world, and Fujimoto is forced to give in — and risk having his daughter learn of the pain of rejection, unless Sosuke can pass a test that Ponyo’s mother, the goddess of mercy, crafts for him.

Sosuke and Ponyo. (Photo courtesy Nibariki-GNDHDDT)
Sosuke and Ponyo prepare for their magical boat ride. (Photo courtesy Nibariki-GNDHDDT)

The opening scenes used a simplistic animation that I would expect of a PBS toddler’s cartoon. The bright multitude of colors used to illustrate the fanciful undersea creatures gave even more credence to this impression.

Once we hit land, it seemed the old Miyazaki was back, with carefully detailed homes and cliffs and landscapes similar to another of his films, Kiki’s Delivery Service — but for only a moment. Then again we reverted back, and again the animation was very different from his previous films, with many of the backgrounds seemingly done with colored pencils, creating a soft, ethereal atmosphere that nevertheless seemed far less magical than the more solid scenery that normally dominates his films.

The one thing that did remain throughout was Miyazaki’s penchant for realistic movements and his attention to the small things that people do. The way Sosuke carefully crawled under the gate, making sure not to drop the bucket holding Ponyo; the way Sosuke’s mom Lisa unlocked the house door and hauled in the groceries after her; the way Fujimoto carefully protected and poured the life-giving elixirs — they weren’t the movements of everyday cartoon characters given motion by an animator bent merely on making them do one thing as fast as possible as smoothly as possible, but rather by a master artist skilled at depicting the many actions that one simple maneuver by a human often requires.

Sosuke's dad, Koichi, is often busy at sea and can't visit his wife and son as much as he'd like. (Courtesy Nibariki-GNDHDDT)
Sosuke's dad, Koichi, is often busy at sea and can't visit his wife and son as much as he'd like. (Courtesy Nibariki-GNDHDDT)

Still, in many ways, “simple” was the theme of the movie. Unlike the numerous trials that Miyazaki’s past heroes and heroines had to endure, all Sosuke had to do was proclaim his love for Ponyo and his willingness to accept her for who she was — an extremely easy thing for a 5-year-old to promise without understanding the full import of his words. And then came the goddess’ simple declaration that “The balance of nature is restored!” and now we’ll all go live happily ever after — never mind the floodwaters that are still covering the town and that don’t seem to have any inclination to go away any time soon.

All of this combined to create such an anticlimactic ending that both I and my movie-going companion were struck dumb.

This may be a kids’ movie, but even children enjoy experiencing the awe of something as impressive as a water goddess’ magic restoring the land to what it was — an oft-used ending that may be cheesy and cliched to us adults but is usually pretty awesome-looking on the big screen, especially in the hands of an animator such as Miyazaki. And unfortunately, such a climactic scene didn’t happen in this movie.

Gran Mamare, the goddess of mercy, visits with Fujimoto to talk about Ponyo. (Courtesy Nibariki-GNDHDDT)
Gran Mamare, the goddess of mercy, visits with Fujimoto to talk about Ponyo. (Courtesy Nibariki-GNDHDDT)

But I came into Ponyo having certain expectations. And contrary to those expectations, there was no epic struggle, there was no character-building transformation. The usual moral message was there — sort of — but then was never followed up on and then fizzled out. In the end, there was just a selfish fish-girl whose longing to stay with the first human she came in contact with was such that she didn’t care whom she hurt in the process, leading to the destruction of an entire town. She’s the bratty child who ended up getting her way through manipulation and tantrums. After all is said and done, does Ponyo realize what her actions caused? Does she care?

For that matter, does ANYONE care? Lisa’s nonchalant acceptance of: 1. a girl who appears out of nowhere; 2. her son’s crazy-sounding explanation of how this girl came to be; and 3. the aforementioned girl’s equally crazy-sounding description of her parents and home is so unbelievable that one can’t help but think that Lisa’s missing a few screws. Face it, no one is THAT magnanimous. How can you not be at the least annoyed at this girl whose single-minded desire endangered not only, oh, your entire town, friends, and all you hold dear, not to mention your sailor husband whose fate out on the stormy high seas is unknown? “Annoyed” would probably be the BEST of my reactions.

Maybe I’m just being too much of an adult. Too much of a Western adult, who craves some kind of logic and resolution and closure. But even that aside, even after suspending disbelief, Ponyo just wasn’t up to Miyazaki’s par.

As a children’s fairytale, Ponyo did deliver. Perhaps that’s what it was meant to be all along. But as a Miyazaki film…somehow, it was missing his usual magic.