Midnight milestone: Taku Taku Matsuri hits Kickstarter goal

taku taku matsuri logoIt looks like the local anime/manga fan community will have something to do on Saturday, Aug. 9 (besides voting in the state primary election, of course) after all.

A shade before midnight Friday — and with about four hours left in the campaign, at that — a $15 pledge nudged the Taku Taku Matsuri Kickstarter campaign to its $2,000 funding goal. The monthlong campaign ultimately closed with $2,070. It was close, but we’ll indeed be getting our second edition of the summer festival with voice actor Kyle Hebert, a Star Trek-themed cafe, video game tournaments and a dance party featuring DJ E2D.

Just how close was it? Via Kicktraq, a website that offers handy-dandy Kickstarter campaign breakdowns for stat geeks and friendly neighborhood anime/manga bloggers looking for something more meaty to write about than just “Yay! This campaign got funded,” here’s a graph that breaks down donation amounts by day, taken from its overall analysis of the Taku Taku Matsuri campaign. Click on the image to get a larger version (which still is a bit hard to read, so sorry, older folk).

dailypledges

Here’s what’s interesting about this graph: In most of the campaigns I’ve followed over the past few years, there’s an initial burst of enthusiasm among the hard-core faithful, a loooooooooong period of little movement where pledges trickle in, and a last-minute push where people pile on, most likely because they see the goal is within reach and are more than happy to back a winner. Sometimes, the property’s popularity is enough that it’ll blow past its goal in a matter of hours — the oft-cited Double Fine Adventure and Order of the Stick reprint campaigns are among those, as are the more recent Anime News Nina graphic novel and Megatokyo visual novel campaigns. Others, like the campaigns for Sweet Revenge Honolulu’s pie press, Tommy Tallarico’s Video Games Live! project and a new Amplitude game from Harmonix, needed that last-minute push to carry them over the top.

At least all of those performed rather decently at the outset, though. We never did see that initial enthusiasm for the Taku Taku Matsuri campaign; it raised only $100 a week in and hadn’t even reached $800 by the time I wrote of it again last week. Which made that last push to the finish even more remarkable — something clicked somewhere that made more people want to give.

Consider also:

  • The last $1,225 — 59 percent of the total! — was contributed over the last six days of the campaign.
  • Going by straight-up backer stats — that is, assuming someone who contributed to a particular tier paid exactly that amount and nothing more — the campaign would have raised only $1,160. That means backers straight-up donated $910, or close to 44 percent of the amount raised.

Kicktraq’s funding progress trend chart also shows just how crazy it was tracking this campaign. The green line shows the amount the site estimated the campaign would raise based on the funding trend at the time; the blue line tracks actual funding progress.

exp-trend

Note that the only time the green line ever went above the goal line is when the blue line met it … on the very last day. It’s a frenetic pace that I have to admit I didn’t see coming about a week or so ago.

So! I can write this part with much more confidence now: The second annual Taku Taku Matsuri summer festival will be taking place in the Manoa Grand Ballroom of the Japanese Cultural Center of Hawaii (2454 S. Beretania St.) Non-Kickstarter preregistration tickets, at $13, will go on sale … ummmm … sometime sorta soonish; I’ll have more information as that becomes available. For the latest information, visit www.facebook.com/taku2matsuri.

Taku Taku Matsuri hopes for a Kickstart

One of the breakthrough otaku-targeted events last year was the Taku Taku Matsuri’s natsu matsuri, or summer festival, where about 300 people showed up at Hawaii Kotohira Jinsha-Hawaii Dazaifu Tenmangu on a sunny Sunday in August to cosplay, play games, buy Japanese-themed merchandise and food from a number of vendors, enjoy entertainment and just have a fun time overall. As I wrote last year, organizer Yuka C. Nagaoka started Taku Taku Matsuri to give local fans of anime and manga culture another venue where they could gather, similar to the events she took part in growing up in Japan.

In looking through my records, it seems that I failed to post a gallery of highlights from last year’s festivities, so let’s correct that now, shall we?

taku taku matsuri logoThis year, Taku Taku Matsuri is scheduled for Saturday, Aug. 9 (it’s on Primary Election Day, so don’t forget to vote before you go, or at least pull an absentee ballot!). It promises to be bigger — a one-day mini-anime con of sorts being held at the Japanese Cultural Center of Hawaii’s Manoa Grand Ballroom, with a Star Trek-themed cafe, video game tournaments, a dance party featuring DJ E2D, and special guest Kyle Hebert. Yes, that Kyle Hebert, last here in the islands for HEXXP in 2011, a voice actor best known for his roles as Kiba in Naruto, Kamina in Gurren Lagann, the older version of Gohan in Dragon Ball Z and Ryu in the newer Street Fighter games. Of course, all the accoutrements from last year’s event will be back as well.

With a bigger venue and more activities come higher costs. While last year’s event featured free admission, there will be an admission fee charged at this year’s event. Yuka told me that without any sponsors, she has to pay for everything out of pocket … and those costs add up pretty quickly.

And that’s where the Second Annual Taku Taku Matsuri Kickstarter comes in. Launched about a week and a half ago, the campaign has to date raised $130 … a decent amount, but there’s a good amount of work that needs to be done to reach the goal of $2,000 by June 7. The pledge tiers are simple enough that I can actually include them here on the blog for once:

  • A pledge of $10 and up gets you a ticket at the lowest preregistration price available. (Preregistration tickets outside of the Kickstarter campaign will be $13, while the at-the-door cost will be $15.)
  • A pledge of $25 and up gets you a ticket and a special Taku Taku Matsuri T-shirt.
  • The top tier, at $100 and up, nets you not only a ticket and a shirt, but also an invitation to a special meal (time/place to be determined) with Kyle Hebert the next day, Aug. 10. There are only 10 slots available for that perk, though, so you’ll want to jump on that sooner rather than later if you’re interested in that.

Of course, you could also throw a few bucks in the campaign’s direction even if you can’t make it, just as a way of showing your support for events like these in our community.

The thing about Kickstarter is that unless you have the built-in draw of being a known commodity like the Rifftrax trio or can go viral with a clever idea like this guy who’s simply printing shirts with his final Kickstarter stats on it, it’s so tricky to find enough people who believe in what you’re selling to sign on. In the past few years, I’ve covered successful campaigns and not-so-successful ones in this space. As I understand it, the fate of whether this event takes place as planned depends on how this campaign does; here’s hoping this one turns out to be a success story.

If you want to keep tabs on the Kickstarter campaign, visit ow.ly/wUtKl; general news about all things Taku Taku Matsuri can be found at www.facebook.com/taku2matsuri (Facebook login not required). Also, if you’re interested in being a vendor or exhibiting artist at the event, email taku2matsuri at yahoo dot com, and Yuka will be happy to help set that up.

Ota-cool incoming!

“Crossing Cultures: The Art of Manga in Hawaii”: The Brady Evans-curated exhibit is back, this time at the Japanese Cultural Center of Hawaii’s Community Gallery. Here’s my post about the exhibit. From 2 to 3 p.m. Saturday, Patsy Iwasaki and Avery Berido, the team behind Hamakua Hero, will be speaking; that’ll be followed next Saturday by a talk by Journey of Heroes author Stacey Hayashi at the same time, while the Comic Jam Hawaii artists will be hanging out from 1 to 3 p.m. May 31. Gallery hours are 10 a.m. to 4 p.m. Tuesdays through Fridays and 9 a.m. to 4 p.m. Saturdays; admission is free. Visit hawaiimanga.com. Exhibit on display through June 7.

Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; locations within the mall may vary. Visit www.facebook.com/groups/ComicJamHawaii (Facebook login required). Next meeting: 1 to 4 p.m. Sunday.

MangaBento: This group of anime- and manga-inspired artists usually meets every second and fourth Sunday of the month at the Honolulu Museum of Art School (1111 Victoria St., room 200). Visit www.manga-bento.com. Next meeting: 1 to 4 p.m. May 25.

Ota-cool Incoming!: EVERYTHING IS AWESOME

Today’s post is brought to you by The Lego Movie. It’s not a formal sponsorship (which is too bad in a way, because after seeing that movie, I want to go out and buy every last Lego Movie set out there.) Rather, it’s because the Otaku Ohana Anonymous Director of Forced Social Interaction and I caught it Wednesday night (yes, we opted for that over The Wind Rises, but hey, I already saw it and we’re willing to wait until it hits Consolidated’s discounted GMT list starting March 7). We enjoyed it thoroughly. And then I woke up this morning with the song lyrics EVERYTHING IS AWESOME, EVERYTHING IS COOL WHEN YOU’RE PART OF A TEAM stuck in a loop in my mind and these guys menacing my laptop.

‘Sup, primary Lego Movie antagonists Lord Business and Bad Cop.

It’s strangely appropriate that that song is stuck in my mind, because there are some pretty awesome events coming up starting this weekend and running … well, into April, really. So sit back, pull up your favorite calendar-planning app, and let’s dive right in:

Taku Taku Friending Party!Taku Taku Matsuri “Friending” Party: Play games and meet people at this mixer for local otaku. Non-alcoholic “mocktails” with names like “801 Breeze,” “Ichigo Pantsu” and “Yuri Paradise” are being created exclusively for the event and will be available for $4 each. Tickets for $15 are available at takutaku.ticketleap.com/friending-party/; you get your choice of one of four mini-bentos included in that price. For ages 16 and up. Nagomi Japanese Teppan and Lounge (1687 Kapiolani Blvd.), noon to 5 p.m. Saturday.

“Anime Rocks!”: It’s Kawaii Kon’s third annual pin launch party, and they’re pulling out all the stops to make sure anyone who shows up is suitably entertained. EMKE is back to rock the house; this time they’re being joined by Streetlight Cadence, a local quartet with a cellist and accordionist, which automatically makes them one of the coolest groups ever in my book. Augie T, the official emcee of all things Kawaii Kon, will be on hand to … umm … emcee. And if the specialty drink-loving side of you didn’t get enough at Saturday’s “Friending” Party, there’s one to try here as well: Kawaii Kon Punch, in both alcoholic and non-alcoholic versions. (Drink responsibly, people.) Hard Rock Cafe Waikiki (280 Beachwalk Ave.), 2-5 p.m. Sunday.

Comic Jam Hawaii: This group of collaborative cartoon artists has just one official public gathering in March so far, and it’s coming up Sunday at Pearlridge Center. If you’re really want to see some of this group’s work, though, head out to Honolulu Hale, where there’s an exhibit in the first-floor courtyard spotlighting their work as well as that of MangaBento and late cartoonist Dave Thorne through March 13. I’ll be swinging by there and chronicling that exhibit in a future post. Visit www.facebook.com/groups/ComicJamHawaii (Facebook login required). 1 to 4 p.m. Sunday.

Kawaii Kon Karaoke Kompetition: The road to KKX continues with this, the last of three preliminary rounds for the anime convention’s annual karaoke contest. Aspiring singers, read up on the rules at kawaiikon.com/events/karaoke/karaoke-preliminary-rounds/, then make your way to Orvis Auditorium on the University of Hawaii at Manoa campus. 9:30 a.m.-12:30 p.m. March 9.

Honolulu Festival: It’s the 20th anniversary edition of the festival promoting harmony between Hawaii and the Asia-Pacific region; the theme: “Jubilation, One Heart, One Pacific, One World.” Just as in previous years, Kawaii Kon will have an exhibit, and the Nagaoka Fireworks display will put a bow on the proceedings. And there may be a special announcement involving your friendly neighborhood anime/manga blogger next week, too … Hawai’i Convention Center and other venues around Waikiki, March 7-9.

Ongoing

The Wind Rises screenings: Of course, you knew about these already.

photo-main“All Eyes on Me”: If there’s one thing I feel guilty about not covering until now, having been up to my eyeballs in stuff related to The Wind Rises and Doraemon in recent weeks, it’s this Kickstarter project by Saki Kashimura, a local artist who’s sold some of her work in the past in Kawaii Kon’s Artist Alley. She’s looking to publish a 32-page art book with pieces she’s done from 2012 to now. With nine days left, she’s already surpassed her goal, but there’s still room to jump on board. You can see what she’s done in the past at www.pixiv.net/member.php?id=676479; check out the project at www.kickstarter.com/projects/880144282/artbook-all-eyes-on-me.

“Meet Doraemon: Japan’s Time-Traveling Cat”: Fujiko F. Fujio’s most beloved creation is here and cute-ing up the Bishop Museum campus, as you can see here.

A Doraemon statue with the Honolulu skyline in the background. Pretty cool, really.

Ten statues, a replica of the Dokodemo (Anywhere) Door, sketching and coloring stations, a manga library featuring Doraemon manga volumes from around the world and samples of the new English-language digital edition on iPads, a 10-minute animated short playing on loop, and an exhibit of original Fujio manga art … do you really need more reasons to visit? If you consider yourself an anime/manga fan, you must go. I’m even working on a photo tour of the exhibit for a future post as further proof. Admission is $19.95, $16.95 for seniors, $14.95 for ages 4-12; $12.95, $10.95 and $8.95, respectively, for Hawaii residents and military. Visit www.bishopmuseum.org. Through April 20.

Future attractions

Kawaii Kon 2014: Guests for the 10th anniversary edition include voice actors Jim Cummings, Ayumi Fujimura, Quinton Flynn, Richard Horvitz, Tetsuya Kakihara, Vic Mignogna, Nicki Rapp, Michael Sinterniklaas, Stephanie Sheh and Janet Varney; musical guests EMKE, Kagemaya Hironobu and Yoko Ishida; professional cosplayer Leah Rose; Misako Aoki, Lolita model and official Japanese kawaii ambassador (really, it’s a formal title); the Chalk Twins, traveling performance artists who will be crafting a giant chalk mural; and local comedian Augie T., serving as emcee. Online preregistration is open through March 22; $42 for a three-day pass for children ages 5-12, $52 general admission. Hawai’i Convention Center, April 4-6.

Ota-cool! October, part 3: Kickstart-a-gogo

Crowdfunding, the Internet-connected notion where people contribute to a big pot of money to help a particular project go from someone’s idea to reality, has really become popular as of late. Local otaku-centered events have been become more popular as well, with events from traditional anime conventions like Kawaii Kon and Oni-Con Hawaii to what I’m calling “micro-cons,” convention-like experiences on a smaller scale like the recent Mini Con at McCully-Moiliili Library, Kawaii Kon’s Anime Day at Windward Mall and Taku Taku Matsuri, dotting the calendar.

But is there room for a crowdfunded micro-con in Honolulu? The University of Hawaii Anime Manga Society thought so when they launched a Kickstarter campaign for M.O.E., the Manoa Otaku Experience, on Sept. 4. And with a little over a week to go before the funding campaign ends, the answer is: Yes. Yes, there is. At $2,066, the total raised so far is a shade over the fundraising goal of $2,000, which means there will be an event on some Saturday down the line.

MOE Matsuri logoSo tomorrow’s MOE Matsuri, a collaboration between UH AMS and Taku Taku Matsuri meant to give an extra promotional/funding boost to the campaign, has turned into a celebration of sorts as well. Appropriate, because when you look at elements of the M.O.E. proposal and compare them to what happened a few months ago at Taku Taku Matsuri, the two events share similar traits. MOE Matsuri will feature a cosplay cafe, vendors (including friends of the blog Jon Murakami and idkwhat2wear, along with annastetic x candy, CAS Crafts & Collectibles, The Rambling Scholar, Bryan + Pueo, Studio Mind Ore, By Thought and Sydney & Max), games and Taku Taku Matsuri organizer Yuka Nagaoka rocking a schoolgirl uniform. (Yes, that won out over “cross-dress,” “Lolita” and “nekomimi maid” in a recent poll of … umm … one person, it would seem.) That’s all happening on the third floor of the UH-Manoa Campus Center, rooms 307-310, from 11 a.m. to 5 p.m. Admission is free.

Manoa Otaku Experience logoAs for MOE itself, here’s what else the organizers are hoping to incorporate:

  • Cosplay events — contests, a fashion show and Cosplay Chess
  • Karaoke contest
  • Video game room
  • AMV (anime music video) contest

Admission to MOE won’t be free, but if you contribute to the Kickstarter campaign, you can pre-register for $8-$10. (There are 95 slots available at the lower price, so best get in on that now if you want to save a few bucks.) If you’d like to have a meal at the Cosplay Cafe as well, there are still 39 $30 funding packages up for purchase. Other funding options are also available. And let’s not forget about stretch goals that include T-shirts and more days for the event (which admittedly seem out of reach at this late date, but who knows, maybe the several dozen of you who still read this blog will surprise me somehow and really push this thing higher). You have until 10:37 a.m. Oct. 19 to contribute, so visit ow.ly/pJYNF if you’re interested.

While I’m talking about crowdfunding campaigns, there are two others of note going on at the moment:

  • The Chalk Twins, sisters from Florida who have drawn chalk art at conventions nationwide, is running an Indiegogo campaign to fund trips to 16 anime cons next year … and Kawaii Kon is on that list. Perks include bookmarks, signed prints, T-shirts and original sketches and artwork. The funding period runs through Oct. 31; visit ow.ly/pJZSn.
  • Here locally, 11-year-old Mariana Agena, daughter of Twitterite Lance Agena, is selling her manga, Code: Flower Fairys, as a fundraiser for a trip to this year’s Pop Warner National Cheer Competition in Orlando, Fla. $6 gets you a 110-page PDF, and while it may not have a professional sheen to it — it’s basically scans from a sketchbook — it’s still incredibly cute. Besides, buying it gives you instant karma points for helping nurture the artistic and literary creativity of an 11-year-old girl. The campaign is ongoing at gumroad.com/l/POUq.

More for the month

MangaBento: This group of anime- and manga-inspired artists usually meets every second and fourth Sunday of the month at the Honolulu Museum of Art School (1111 Victoria St., room 202). Visit www.manga-bento.com. Meeting: 1 to 4 p.m. Sunday and Oct. 27.

Kawaii Kon volunteer meeting #2: You’ve seen that there are going to be a number of great guests coming to next year’s show, and you know there are going to be thousands of people who are going to show up to see those guests. So why not help out a bit? It’s time for the second of several volunteer staff meetings over the next few months. Prospective volunteers must attend two meetings, so why procrastinate? Start now. Learn more about volunteering and download the proper forms at www.kawaii-kon.org/forum/viewtopic.php?f=11&t=7788; the meeting, at Kakaako Waterfront Park, will be from 11 a.m. to 1:30 p.m. Oct. 19.

Aiea Library Anime Club: Young adult librarian Diane Masaki will be screening episodes of I Don’t Know What My Young Adult Librarian Will Be Showing At Club, But I’m Sure It’ll Be Really Neat! at the library, 99-143 Moanalua Road. Never heard of that series? It’s a romantic comedy featuring an awkward teenager surrounded by a bevy of moe-blob girls. Or I may have just made that up on the fly because the actual series has yet to be determined. But anyway. For more information or to RSVP, call 483-7333 or email aiealibraryanimeclub@yahoo.com. 3 p.m. Oct. 19.

Comic Jam Hawaii: This group of collaborative cartoon artists meets every first and third Sunday of the month at Pearlridge Center; locations within the mall may vary. Visit www.facebook.com/groups/ComicJamHawaii (Facebook login required). Next meeting: 1 to 4 p.m. Oct. 20.

Oni-Con Hawaii: Guests include Yuko Ashizawa, a fashion designer with Atelier Pierrot; Final Fantasy series composer Nobuo Uematsu and his band, the Earthbound Papas; Hiroshi Takahashi, voice of Ryu in the later Street Fighter games, Eiji Kikumaru in Prince of Tennis and Japan in Hetalia; Sana, visual kei musician; and J. Michael Tatum, voice of Sebastian in Black Butler and France in Hetalia. Also featuring the Cosplay Chess Brigade and Yu x Me Maid Cafe & Host Club. Preregistration open now; $45 for a three-day pass, or buy a la carte: $20 for Friday, $30 for Saturday, $25 for Sunday. Three-day passes are also available at MiniQ (98 Kauhale St., Aiea) and all Big City Diner locations. Hawai’i Convention Center, Nov. 1-3.

Tezuka’s “Barbara”: Much madness makes divinest sense

barbara cover

Today’s profile: Barbara (one volume, complete)
Author: Osamu Tezuka
Publisher: Digital Manga Publishing
Suggested age rating: Mature 18+
Availability: In print & readily available

Like many manga artists, Osamu Tezuka is enjoyed in the U.S. mainly for his lighthearted fare. And once artists become known for one genre or another, it becomes exceedingly difficult to publish others of their works that don’t exactly fall into that widely accepted category.

Barbara is one of those Tezuka works that U.S. publisher DMP wanted to take a chance on. So using the crowdfunding website Kickstarter, the company garnered a good bit of support to bring out the 430-page manga in English.

After I finished the book, it was easy to see why DMP needed to go the crowdfunding route. On the back cover, the description reads, in part, “Barbara may be Tezuka’s most psychological and unsettling work, shattering the fine line between art and madness with masterful precision.”

Short response: It is.

I must admit I am not familiar with the bulk of Tezuka’s work. I did watch Metropolis, the feature-length anime based on one of his more serious stories, and is a movie I didn’t particularly care for. I also know he’s done Astro Boy and Atom Cat and Unico and Black Jack, and if those are any yardsticks to measure Tezuka by, then Barbara is certainly a wide deviation from his norm. To give you an idea of how unique this manga is, DMP even released a separate digital companion to Kickstarter backers with an essay dissecting the work, as well as a foreword in the actual book explaining briefly the political and social situation in Japan at the time the manga was originally serialized.

Barbara tells of a famous writer, Yosuke Mikura, who comes across the title character in Shinjuku station. The woman is a stinky, dirty alcoholic, but something about her prompts Mikura to take her home with him. She decides that his apartment isn’t such a bad place to hang out, so she settles in and makes herself at home — especially with the liquor cabinet.

Over the course of the book we see the ups and downs of their strange relationship and the many times Mikura kicks her out for her slovenly ways, then just as readily accepts her back when she predictably shows up at his door again. Even he can’t explain why he doesn’t give her the boot, considering all the times she’s messed something up or how much she’s costing him.

The manga is psychologically interesting at first as it delves into the queer mind of Mikura. From the beginning, he can’t seem to distinguish between one thing and another, which leads to several bizarre but not completely unexpected twists — most times Tezuka cleverly provides hints that could point one way or the other depending on how he would have wanted the story to end, or even could have left the ending wide open to discussion. Other times, Tezuka leaves things blatantly ambiguous. It’s certainly not a new plot device, but it’s always highly effective in dealing that mental blow to the reader.

But then Mikura’s obsessions coalesce and center on Barbara, and the manga starts getting less interesting and more just simply crazy. It all comes to a Matrix-like ending that is expectedly a bit sad, but satisfying.

It’s the roller-coaster feeling of Mikura and Barbara’s relationship, and of Mikura’s life overall, that makes this manga difficult to enjoy. And that’s not even including the famed author’s psychotic-ness in general, with or without Barbara. Many chapters are the same: They start off with a seemingly normal (or at least tangible) situation, then devolve into an insanity that eventually bursts, leaving Mikura to deal with the shock of returning to reality … or with the haunting realization that he does not know what the reality is.

Add in the drunkard’s aggravating personality and deeds that would drive even a saint to slap her upside the head as Mikura often does, and you have a story that’s so peculiar that it takes great effort to keep reading — but at the same time, it drives you to continue on to the end.

Mikura is obviously a tragic character, one for whom a kind of happiness (and perhaps even a bit of sanity) seems as though it could be within reach but then slips from his grasp, one who struggles constantly to chase his desires but never achieves them. And Barbara is the one thing he wants but never truly possesses.

We don’t find out what is behind his misogynistic personifications; he just is like that, and in some way that lack of knowledge adds to the tragedy of his life.

The one thing that is sort of explained is Barbara’s background, although even that could be just another pretense. That revelation — and the story’s eventual dependence on it — both add to and take away from the enigma of Barbara herself, even as the story tries maintain her mystery. It also needlessly gives Mikura a reason for going mad, although by that time even we aren’t certain what might be witchcraft and what might be the hallucinatory product of Mikuru’s fevered brain.

But then, that is probably what Tezuka was aiming for, and in that sense, he’s definitely achieved his goal and shows how unhinged Mikura’s mind has become. Nearly every chapter had me thinking, “Wow, these people are really messed up.” But it also begs the question: Must an artist such as Mikura necessarily go through such madness to create great works?

In many ways, Barbara is not much different from other demented stories. The key to remember is that this manga originally came out in the early 1970s, when far more people would probably have been appalled at the scenarios depicted.

Nowadays, it’s not so much the shock of the supposed deviant life of artists that makes this book so disconcerting and fascinating at the same time. What still resonates after all these years is the mental trauma that Mikura is clearly experiencing. For the reader, the true pain is not only seeing Mikura’s descent into madness, but also recognizing the inevitability of it.

Still, this is the kind of story that makes you incredibly glad you are sane — or at least much saner than Mikura — and, when it’s over, immensely grateful that you are merely reading about it from the outside rather than experiencing it firsthand within your own life.

Barbara is a bit too extreme for me, but it is moving and powerful in its portrayals in a disturbing way.

Kickstarter talk is in the air, everywhere

I have to admit that when it comes to communication, I’m far more comfortable with the written word than I am with speaking to people. Part of the reason is that I really hate the way my voice sounds when I’m speaking. The other part is that I get nervous as heck … I’m really quite awkward in social situations, too.

So that’s why, in the 10 years I’ve been working the anime/manga beat (yup! 10 years!), I’ve only willingly put myself in front of a recording device all of two times. The first time was for this video interview with then-Anime Vice editor-in-chief, current Anime News Network contributing writer, and still all-around cool cat Gia Manry, posted to the site on Feb. 28, 2009.

Here’s the original Anime Vice page that it was posted on. Note the comment by RedRose. And now you know why, three years, four months and 23 days and counting, I have yet to watch a single second of this footage. The memories of that day — lunch at Ulupalakua Ranch in upcountry Maui, followed by that interview with me and all my apparent head-bobbing glory — are more than enough for me, thankyewverymuch.

I would’ve been perfectly happy with that being my first and last venture into the recorded-for-the-Internet world, but alas, fate sometimes has a way of taking plans, ripping them up, stomping on them and then grinding them in to the dirt. And its roots were planted in my Twitter enthusiasm for Digital Manga Publishing’s Kickstarter drive for Osamu Tezuka’s Unico, Atomcat and Triton of the Sea, which, as of my writing this post, was just a few hours from completion.

In retrospect, perhaps my cheerleading was a bit much. It’s easy to get caught up in the Kickstarter hype, watching the contribution level rising, knowing that you, yes, you, are one of the people helping to make the project pitch become a reality. (Full disclosure: I signed on for one of the limited “Power of Love” $165 packages.) But I was not expecting to get this kind of response to one of my tweets in late June.

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I met Glenn Kardy, the man behind @MangaUniversity, at HEXXP in 2010. Great guy. Totally respect him. I feel really bad that I’ve never had a chance to write up the interview I did with him at that convention. But that tweet, along with a follow-up response from Ed Chavez at Vertical, opened the floodgates for several days’ worth of Twitter discussion debating the merits of a large manga publisher like DMP using Kickstarter as a way of funding their book-publishing ventures. It’s a discussion that I by and large stayed out of, not wanting to stir up any more controversy than I already had.

Manga Out Loud. Podcast by Ed Sizemore. Cute logo by Lissa Patillo.It was around this time that Ed Sizemore, co-host of the “Manga Out Loud” podcast with Johanna Draper Carlson, contacted me about being a podcast guest. I have to admit that I was a bit hesitant at first — me? Why me? I’m just a fan out here in the middle of the Pacific who’s already seen his best days in the sun and is now slowly fading away, tucked away in a corner of the sprawling staradvertiser.com network of sites. The more I thought about it, though, the more I realized that yeah, I probably could hold my own. And hopefully the other people Ed invited would be able to carry the load as well.

The other guests were great. Joining me via Skype in recording on Monday were Erica Friedman, president and founder of Yuricon and ALC Publishing and writer of the Okazu blog, and Ben Applegate, one of the people behind the DMP Kickstarter campaign who’s now picked up additional work at Kodansha USA. We talked at length about the Kickstarter campaign — there, you can find out the reason why I haven’t mentioned the DMP Kickstarter on Twitter since that time — and Erica, Ed, Johanna and myself also discussed Tokyopop’s resurrection and Viz’s new Neon Alley anime venture on the PlayStation Network. It was quite the experience, I must say … especially listening live to some of the parts that I think Ed left on the cutting-room floor. (I won’t divulge the nature of the discussion. I’ll just say that for the four of us around for that particular part of the recording session, it was … pretty wild.) I understand Matt Blind, he of the Rocket Bomber blog chock full of manga sales statistics and retail bookseller commentary, also joined Ed on another day to talk about Kickstarter.

So yes, you’ll probably want to give this month’s edition of “Manga Out Loud” a listen, to hear our great discussion and cringe at the nails-on-chalkboard quality of my voice. You can find show notes and a download link at mangaoutloud.com/webpage/episode-61-more-kickstarter-with-matt-blind-erica-friedman-jason-yadao-ben-applegate. That podcast officially makes it the second time that my voice has been recorded for the internet.

Will there ever be a third opportunity? We shall see. My inner voice is screaming at me “OH DEAR GOD NOOOOOOOOOOO,” but my sense of self-confidence has a tendency every so often to grab a giant mallet, bonk it over the head and knock it out. You never know.

The Cel Shaded report, 6/22: Just kickin’ it

Tag-team partner in fandom Wilma J. and I are big fans of Kickstarter, the fundraising website that gives all sorts of projects, from art exhibits to state-of-the-art technological doohickeys, the chance to go from dream to reality with the help of people willing to invest a bit to make them happen.

dragonfly poster… wait, did I just write “big fans of Kickstarter” in that last paragraph? I meant to say “freakishly obsessed with Kickstarter.” If there’s a worthy cause for us to support and an affordable tier of cool swag for us to jump on, we are so. there. Rich Burlew’s Order of the Stick reprint project? Helped with that. Double Fine’s untitled adventure game? That, too. And, of course, you’ve read about one of the most prominent/successful local campaigns in this space, the nemu*nemu volume 6 Kickstarter. We’ve hopped on those and so many more.

It’s with that obsession in mind that I present to you two more Kickstarter projects in the process of pursuing funding, one local, one national. The local project is one that’s been in the works since Burl Burlingame first profiled it in the pages of the Star-Bulletin in 2007: Dragonfly, a live-action superhero show from the creator of Pineapple Man, Sam Campos. Campos has described his show in the past as “Kikaida meets X-Files,” and it’s easy to see the influence of tokusatsu (live-action superhero) series like Kikaida and Kamen Rider on the costume designs in his series. The show stars Cole Horibe as Alex Tombo, descendent of an ancient line of genetically engineered warriors that defends the world from an ancient evil that lurks within the islands. (You may have seen Horibe on TV recently, as he’s in the running in Fox’s So You Think You Can Dance with his martial arts-infused moves.)

Campos is looking to raise $50,000 to finish production of Dragonfly’s first three episodes. With that in mind, here’s the Dragonfly Kickstarter pitch video:

… as well as a link to an interview Campos did on World of Superheroes that explains a bit more about the project. Rewards include anything from digital downloads of the three episodes in production ($10 for one, $15 for two, $20 for all three) all the way up to an executive producer credit, a prototype helmet, signed copies of Pineapple Man issues 1-4 and a Dragonfly DVD (a price tier so high that I’m pretty sure the average Otaku Ohana reader wouldn’t be able to afford it without taking out a loan somewhere). You have until July 13 to contribute to the Dragonfly Kickstarter at http://ow.ly/bKJ4r.

unicoOn the national front, Digital Manga Publishing — which already has successfully Kickstarted a reprint of Osamu Tezuka’s Swallowing the Earth and the first run of Tezuka’s Barbara — is going back to the Tezuka well for its latest project: a full-color print run of Unico. The series, about a unicorn endowed with magical powers to help those to love him, was serialized from 1976 to 1979 in Sanrio’s Ririka magazine — yes, that Sanrio, better known the House of Hello Kitty. As such, this title is far more accessible to readers of all ages than Swallowing the Earth and Barbara, two series tailored for older readers. This would be the first translated run for the Unico manga in the U.S., but it’s not the first time Unico’s shown up in the states; most recently, Discotek released two animated features, The Fantastic World of Unico (1981) and Unico in the Island of Magic (1983), on DVD in May.

As I was writing this post, the campaign had just crossed over the $12,000 mark and appears well on its way to making its $20,500 goal well before its scheduled closing date of July 21. Once it hits that goal, it looks like there’s going to be an announcement of another Tezuka manga that’s joining the party, so stay tuned. For now, $35 lands a copy of Unico and either $10 worth of online manga at eManga.com or six issues of the Astro Boy online magazine, and the tiers scale upward from there to include stickers, T-shirts and posters. The always great Tezuka in English site has more background information about the Unico manga, and you can contribute to the Kickstarter, check out some sample translated pages and watch DMP’s pitch video at http://ow.ly/bKKqS.

Update 6/28: Original goal has been met! Now the DMP Kickstarter-teers is working on getting another manga, the “Astro Boy … if Astro was a cat” story ATOMCAT into publication. And if that gets successfully funded — and it’s about a shade over $1,000 to doing that — the push for another manga will begin. Stay tuned.

Anime around town

uematsuHEXXP: Online registration is continuing for the third annual edition of the pop culture convention, and so are the monthly giveaways. Those of you registered by the end of this month, in fact, have a chance to win a rather coveted item to anyone who’s a fan of one of this year’s guests, Nobuo Uematsu. See that Earthbound Papas CD to the right? See that silver scrawl on the upper left corner? That is, indeed, Uematsu’s signature, and if your name is drawn, you could very well win this signed CD. HEXXP is happening Oct. 20-21 at the Aloha Tower Marketplace; visit https://www.facebook.com/hexxphawaii for more information or http://www.hexxp.com to register (and, by extension, enter to win). 

Pen & Ink Works: This group of anime- and manga-inspired artists is getting together for a Sketch Meet from 2 to 4 p.m. Saturday at the McCully-Moiliili Public Library, 2211 S. King St., in the first-floor reading room. (If you’re attended the library’s Mini Con in the past two years, you know where that room is.) Bring your sketchbooks, get some drawing advice from senior members, and get ready for a fun afternoon. Visit peninkworks.wordpress.com.

MangaBento: The other group of anime- and manga-inspired artists meets from 1 to 4 p.m. Sunday at the Honolulu Museum of Art School, 1111 Victoria St., Room 200. Visit http://www.manga-bento.com for more information. Also, the group’s latest exhibit, “Nakamaboko” is on display in the art school’s second-floor gallery through July 14. I’m still working on processing the pictures I took at Sunday’s opening reception and a follow-up visit on Wednesday, but here’s a sneak Pika-peek with a ceramic piece by Chad Vilayvong.

pika peek

Comic Jam Hawaii: This month’s informal gathering of comic artists is happening Wednesday from 6 to 9 p.m. in the Center Court of Kahala Mall. Artists of all skill levels are invited to draw, talk story and collaborate on cartoons like this one, also among the pieces on display at the “Nakamaboko” exhibit:

comic jam sample