It’s been a whirlwind past few weeks here at Otaku Ohana Central, a time that’s left me little opportunity to sit down and gather my thoughts. But now that things are finally settling into a new normal routine for me — and after a lengthy-even-for-this-blog silence for me of several months — here’s what’s up. Call it a “State of the Otaku Ohana Address,” if you will.
As a lot of you who follow my social media accounts on Twitter, Instagram and Facebook know by now, after 16-1/2 years, I’ve left the Honolulu Star-Advertiser to take on new challenges as a medical legal editor at the Honolulu Sports Medical Clinic.
It wasn’t a decision made lightly. I grew up reading “Kokua Line” with Harriet Gee, columns by Dave Donnelly and Ben Wood, and Corky Trinidad’s cartoons in the Star-Bulletin. I carted copies of the Advertiser with me to Punahou to do crossword puzzles, pick Pigskin Picks games with friends, and occasionally whack a friend with it. (Yes, I’ve been a word nerd pretty much all my life. Also, sorry, Arlen.)
So to get to work at the Star-Bulletin was … well, for lack of a better term, I was geeking out. I was hired as a copy editor, checking stories from the news, features and business departments for any grammar and content issues, writing headlines. Eventually, along with fellow copy editor/friend/tag-team partner in fandom Wilma Win (née Jandoc), we made our own names for ourselves in print, writing about anime and manga … and, well, the rest is history.
We did a lot for otaku journalism at the paper, from anime and manga reviews as part of a rotating stable of four columnists who wrote the “Drawn & Quartered” column in the Sunday Star-Bulletin features section; to “Cel Shaded,” perhaps the only weekly anime/manga column published in a major metropolitan daily newspaper, from 2005 to 2011; to this blog, established in 2009. Heck, I even wrote a book about manga that was published worldwide. None of that would have been possible without Wilma’s support over the years, and for that I’m eternally grateful.

But, well, times change. Newspapers don’t have quite the same cachet they used to, having largely been overtaken by TV and the Internet. And after two straight years of layoffs — the bulk of which cut the behind-the-scenes production and copy-editing departments to a bare minimum — I was faced with two options: Stay on, leave myself open to the distinct possibility of being downsized as well, and cut back coverage or even end this blog completely; or explore my options elsewhere. The opportunity presented itself, I chose the latter option, and, well, here we are today.
So what does this mean for Otaku Ohana? Better things, hopefully. There’s no question that those layoffs took their toll on the amount of time and energy Wilma and I had to devote to this blog. Now that my schedule is more flexible (and for now, less stressful), I hope to have more time to really dig into the fun stuff, possibly do more reviews, finally post all of those pictures and interviews over the years that I just haven’t had time to write up, and attend more events that I couldn’t due to my old work schedule. Visiting the Japanese Cultural Center of Hawaii’s New Year’s Ohana Festival, the Taku Taku Matsuri “Bringing Bun Bun Back” revival, AO Fest and the Hawaii Anime Awards, and NEET, for instance, are definite possibilities now! Along with all the usual Con-athon stops, of course.
As for Wilma? She’s still at the paper. But we promised we’d get together for lunch regularly. So she’ll still be a big part of Otaku Ohana going forward, if not in print, at least in terms of support and backstop edits of my posts.
But here’s the thing. For any of these changes to really matter, we really need to get more eyeballs on this blog. Much of this is my fault; I’ve left this blog to languish for far too long and probably ought to do more to promote it and generate more worthwhile content for it. I’m hoping that with more posts coming down the pipe, those of you still reading this blog will share it with a friend or two, and those friends will share it with their friends, and pretty soon we’ll go viral and have a kajillion subscribers like that famous YouTuber from Hilo. OK, fine, so that’s really pie-in-the-sky thinking. A few more views in the stat counter would be nice, though.
So yeah, 2018 will be the year we Make Otaku Ohana Great Again. Or as we like to call it around these parts, MOOGA. (I just like the way that sounds. Kinda primal and offbeat.) And for the next few months at least, our three-person team is looking forward to sharing a lot of interesting stuff with you.
… why yes, I did just write that we have a three-person team now. Stick around for our next post, and you’ll get to meet our very first Otaku Ohana intern.
Granted, the lineup for the GKids Studio Ghibli Fest isn’t nearly as comprehensive as Consolidated’s 



It’s 
April 7-8: Video Games Live concerts play at the Blaisdell. Remember the Legend of Zelda: Symphony of the Goddesses concert a few weeks ago? This is just like that experience, except with a wider variety of video game soundtrack selections played by the Hawaii Symphony Orchestra and 100 percent more Tommy Tallarico. Tallarico is an accomplished video game music composer in his own right, best known for his soundtracks to the Earthworm Jim series and Advent Rising.
It was a lovely little opportunity. We got a 5-square-foot space, part of a larger block Kawaii Kon gets from the Hawaii Collectors Expo. We made a fair amount of money, and we met some nice people, too. Like Marisa Gee of Kawaii Mono, who bought a number of my DVDs while exhibiting impeccable fashion sense wearing Fat Rabbit Farm T-shirts. Or the enthusiastic gals who snapped up a bunch of Wilma’s Ace Attorney goodies, then went on to host the Ace Attorney live-action roleplaying fan panel at Kawaii Kon. (The half hour I was able to catch before I had to rush off to another panel was quite entertaining.)
This year — the Anime Swap Meet’s third, the Hawaii Collectors Expo’s 27th — promises to be an even bigger party. Artist Audra Furuichi’s kicking off the year for nemu*nemu at the event and will have her usual assortment of merchandise and original drawings for sale, and MidWeek cartoonist/Pepe the Chihuahua kalbi handler Roy Chang will be selling his books and drawing Funko Pop-ified sketches of anyone who wants them. Several artists from Comic Jam Hawaii will be hosting a drawing table for the little kidlets. Replicas of the Ghostbusters Ecto-1 and Jurassic Park Jeep will be on display for photo ops. And, of course, Kawaii Kon representatives will be on hand, although they’ll be selling three-day badges for the upcoming con on Sunday only.



Much has already been written about the special Gudetama menus at the three Eggs ‘n Things locations on Oahu. My fashionable foodie coworker Nadine Kam’s 




It doesn’t seem like it was that long ago that Taku Taku Matsuri was a part of the local otaku event scene, but it’s true: It’s been almost two years since the second event was held. A third edition was planned, but event organizer Yuka Nagaoka got sick and moved back to Japan for treatment last year, and it was put on indefinite hiatus.